Welcome to the show notes for Episode #113 of The Other Side of the Bell – A Trumpet Podcast. This episode features world-famous trumpeter Chris Botti.
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Welcome to the show notes for Episode #24 of the Trombone Corner podcast. This episode features trombonist, Dr. Brett Baker. Listen to or download the episode below:
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Brett Baker is viewed internationally as a leading brass performer and educator. He is passionate about encouraging composers to write pioneering new repertoire, having commissioned over 100 trombone solos and is one of the most recorded brass soloists. Brett was Programme Leader for Musical Arts (previously band musicianship) at the University of Salford for seven years. He continues to be an Artist for Michael Rath Brass Instruments and is long serving Principal Trombone of the Black Dyke Band. Recently he became Marketing Lead & Global Artist Liaison for Denis Wick Products and Vice Chair of the Association of Brass Band Adjudicators.
As well as a performance schedule of 40 concerts a year, Brett enjoys presenting workshops, specialising in solo performance and band training. Brett has performed on over 30 solo albums, 8 under his own label of White River Evocations, which produces and distributes CDs. He has performed as guest soloist on a further 40 CDs. He regularly tours in the USA, Europe, Australia and New Zealand as a soloist, teacher, conductor and adjudicator. As a consultant, Brett, has worked with Michael Rath Musical Instruments for over 18 years on instrument design and has assisted in production of a signature mouthpiece. He was taught by Robert Morgan, Lyndon Baglin, Steve Walkley, Christopher Houlding, Kevin Price and Denis Wick.
As a conductor, Brett has many associations with bands in the North of England, and has achieved contest successes with Northop, Ratby and Longridge bands. He has been guest conductor of the University of Salford Brass Band, the brass band at the Royal Northern College of Music, thew National Youth band of Scotland, the European Youth Brass Band, Thoresby Colliery, Carlton Main Frickley Colliery and the Leyland Band.
In 2014 Brett conducted Tongwynlais Temperance at the National Finals of Great Britain in the Royal Albert Hall, London. Brett was conductor of the University of Salford Symphonic Wind Band from 2014-2019. He is currently Musical Director and tutor of both the Yorkshire Youth Brass Band and the North-East Midlands Youth Brass Band and has conducted the massed ensemble at Trombonanza in Argentina. For over 20 years, Brett Baker has been keen to promote new music for the trombone, commissioning over one hundred works from composers and arrangers.
As an adjudicator, Brett, has judged regularly, the International Trombone Association in the USA, the National Solo Championships in Switzerland, many Association contests, the Scottish Open, Butlins Mineworkers Festival, the National Finals in the Netherlands, Lithuania, New Zealand and Australia. He has judged all the regional area qualifiers for the National Championships of Great Britain and many solo contests worldwide.
He has been trombone tutor of the National Youth Brass Band of Scotland, the National Youth Band of Wales, National Youth and Children’s Brass Band of Great Britain, the European Youth Brass Band, the International Brass Band Summer School in Swansea as well as low brass tutor of the International Summer School in Dartington, Devon.
In 2020 Brett won the ITA Presidents Award for Solo Performance and services to the International Trombone Association where he has been featured regularly as a soloist including in Salt Lake City, Utah in 2023.
Welcome to the show notes for Episode #112 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeters Wayne Bergeron and Jeff Bunnell talking about their new album “Homage” by the Los Angeles Trumpet Ensemble.
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“Homage” Liner Notes –
The recording scene in Los Angeles has a long history of great and highly versatile trumpet playing. For the most part, though, these trumpet players rarely get a chance to be featured. In 1957, Tutti Camarata arranged and produced a record called Tutti’s Trumpets that featured some of the top session trumpet players in Los Angeles at that time. That was over 60 years ago. Wayne Bergeron and I started talking about doing another recording that would feature some of the current session trumpet players here in Los Angeles. Wayne suggested recording a trumpet ensemble CD. I loved the idea and thought a choir of trumpets would work well. With that, the Los Angeles Trumpet Ensemble came into being.
In choosing the music I arranged for this CD, I wanted to pay tribute to some of the film composers who are part of the Los Angeles recording scene (and who write so well for the trumpet), and also pay tribute to some of the great trumpet players of the past and present.
Thanks to:
All the members of the Los Angeles Trumpet Ensemble, whose world class trumpet playing breathed life into the black dots on the pages that I gave them, and elevated the music on this CD to such a high level. Bravo!
Andrew, Abe, Chad and Chris for their stellar playing on Roof Garden.
Dan Savant for contributing his seasoned producing skills to this CD, and for all the encouragement he has given me over the years.
Michael Aarvold for his great engineering, mixing and mastering work.
Joe Meyer for his help with the CD design concepts.
A big thanks to Jerry Hey for writing the perfect closer to this CD and for lending his exceptional producing talents to that session. A huge thanks to Wayne Bergeron, whose outstanding playing, engineering and producing chops were invaluable to this project! A very special thanks to my beautiful wife Becky for her encouragement and support of this project, and for putting up with the rehearsals in our living room.
Wayne Bergeron is enjoying a career as one of the most sought-after musicians in the world. Studio sessions, film dates, international touring, jazz concerts, guest appearances, and clinics keep him busy not only in his hometown of Los Angeles but worldwide.
Born in Hartford, Connecticut in 1958, Bergeron came to California at age one. He originally started on French horn but switched to trumpet in seventh grade where he found a natural upper register ability. Bergeron credits his junior high and high school teachers, Ron Savitt and Bob Smith, for molding his talent into practical working skills.
Bergeron first caught the ear of many when he landed the lead trumpet chair with Maynard Ferguson’s band in 1986. Bergeron can be heard on Maynard’s recordings of Body and Soul, Big Bop Nouveau, Brass Attitude, and The One and Only Maynard Ferguson. Bergeron demonstrates daily why Maynard remarked, “Wayne is the most musical lead trumpet player I’ve had on my band.”
As a sideman, Bergeron’s list of recording credits reads like a “who’s who” in contemporary jazz and pop, running the stylistic gamut from Ray Charles to Green Day. Other names include Katy Perry, Beyoncé, Barbra Streisand, Michael Buble, Indina Menzel, Leslie Oden Jr., Herb Alpert, The Jonas Brothers, Burt Bacharach, The Dirty Loops, Seth MacFarlane, Natalie Cole, Celine Dion, Seal, Diana Krall, Tito Puente, Christina Aguilera, Dianne Reeves, Michael Bolton, Earth Wind & Fire, The Pussy Cat Dolls, My Chemical Romance, The Mars Volta, Chicago, Rosemary Cloony, Diane Schuur, Barry Manilow, Lee Ann Womack, Lou Rawls, Eric Marienthal, Kenny G., and David Benoit.
Bergeron has worked on over 500 TV & motion picture soundtracks. A partial list of film credits includes Red Notice, Turning Red, Soul, Bob’s Burgers, Ford vs. Ferrari, Toy Story 4, Frozen 1 & 2, The Lion King (2019), The Secret Life of Pets, Wreck it Ralph 2, Crazy Rich Asians, Sing 1&2, Moana, Frozen 1 & 2, Get On Up, Toy Story 3, Monsters University, High School Musical 3, Get Smart, Superman Returns, The Simpson’s Movie, Dreamgirls, Hairspray, Mission Impossible 3, Ice Age 2, Spiderman 1 & 2, Team America and South Park.
Bergeron’s featured trumpet solos can be heard on the motion pictures West Side Story (2021 Steven Spielberg), La La Land, Sing, The Incredibles 1 & 2, Rocky Balboa, The Secret Life of Pets 2, Rough Night, Jazzman’s Blues, Vacation Friends, Ted 2, Minions, Minions 2:The Rise of Gru, Spies in Disguise, Jersey Boys, The Green Hornet, The Interview, Despicable Me 1, 2 & 3, Duplicity, Princess & the Frog, The Perfect Game,, Hey Arnold (the movie), The Rat Pack, Child Star, Aladdin King of Thieves and High Crimes and many others.
Numerous TV credits include Academy Awards, Golden Globe Awards, SAG Awards, NBC, ESPN & TNT sports themes, American Idol (2001-02), Emmy Awards, Grammy Awards, Animaniacs Reboot, Family Guy, American Dad, Simpson’s, Wonderful World of Mickey Mouse, The Cleveland Show, Green Eggs and Ham, Jeopardy, America’s Funniest Home Videos, Will and Grace, Phineas & Ferb, Emperor’s New School, Mouse Works, Have a Laugh, House of Mouse, King of the Hill, Futurama, Buzz Lightyear, Hercules, and Hey Arnold.
Bergeron’s greatest love is playing lead in big bands. He has recorded and played with some of Los Angeles’ most respected bands including Gordon Goodwin, Arturo Sandoval, Pat Williams, Sammy Nestico, Jack Sheldon, Chris Walden, Tom Kubis, John La Barbara, Bob Florence, Joey Sellers, Ray Anthony, Bill Watrous, Bob Curnow, and Quincy Jones.
After being behind the scene for so many years, Bergeron stepped out on his own with his first solo effort, You Call This a Living? This debut project earned him a Grammy nomination in 2004 for Best Large Jazz Ensemble, as well as rave reviews from fans and press worldwide. Bergeron’s second CD, Plays Well With Others, released on the Concord Jazz label in 2007, was met with the same acclaim. Bergeron’s most current (and personal favorite) CD, Full Circle, was released in January of 2016.
Bergeron performs various events for the Hollywood Bowl summer season. He has done guest appearances with the L.A. Philharmonic, The New York Philharmonic, Cleveland Orchestra, Dallas Symphony, Taiwan Symphony, and Tokyo Philharmonic.
Bergeron is a National Artist for the Yamaha Corporation of America and is co-designer of the YTR-8335LA trumpet and YFH-8315G Flugelhorn. Bergeron also designed a series of trumpet mouthpieces with Gary Radtke of GR Technologies that are available through Bergeron’s website.
Bergeron was mentored by legends Uan Rasey, Bobby Shew, Warren Luening, Gary Grant, Rick Baptist, and George Graham. Bergeron hopes to inspire a new generation of young players and enjoys his work as a clinician and educator. “Nothing makes me feel more accomplished than hearing a young musician say that I inspired them or had a positive influence on their life. For me, that’s the real payday.” Bergeron is currently on faculty at California State University Northridge.
Perhaps Grammy winning composer and bandleader, Gordon Goodwin said it best, “Wayne is a once in a lifetime lead trumpet player.”
Trumpeter Jeff Bunnell has enjoyed a successful career in many musically diverse settings. He is an active member of the Los Angeles freelance performing and recording community, and has been for over four decades.
The many artists Jeff has worked and recorded with include Mel Torme, Ray Charles, Bob Dylan, Natalie Cole, Michel Legrand, Johnny Mathis, Tony Bennett, Robbie Williams, Paul McCartney, Seth MacFarlane, Rosemary Clooney, Paul Anka, Lou Rawls, Barry Manilow, Dianna Krall, Frank Sinatra Jr., David Sanborn, Diane Schuur, Brian Wilson, Tom Harrell, Steve Lawrence, Maroon 5, Michael Feinstein, Debby Boone, Andy Williams, Patti Austin, Brian Setzer, Jack Sheldon, Steve Allen, Marilyn McCoo, Engelbert Humperdink and Shirley Bassey.
Jeff has toured with Ray Charles, Horace Silver and Poncho Sanchez. He has performed with many of the top big bands in Los Angeles including Tom Kubis, Bill Watrous, Alf Clausen, Johnny Mandel, Bill Holman, Arturo Sandoval, Gordon Goodwin’s Phat Band, Les Hooper, Pete Christlieb, Pat Williams, Wayne Bergeron, Steve Spiegl, Carl Saunders and Bernie Dresel. He has recorded with many of these big bands including Ray Charles, Tom Kubis, Bill Watrous, Les Hooper, Pete Christlieb, Jack Sheldon, Brian Setzer, Wayne Bergeron, Steve Spiegl and Bernie Dresel. Jeff played the lead trumpet chair with the Carl Saunders Big Band, the Pete Christlieb Tall and Smail Band, and the Steve Spiegl Big Band. Currently Jeff plays one of the solo chairs with both The Tom Kubis Big Band and Bernie Dresel’s BBB.
Jeff has worked with many of the orchestras in Southern California including The Hollywood Symphony Orchestra, The Hollywood Bowl Orchestra, The Long Beach Symphony, The New West Symphony, The Pacific Symphony and The Pasadena Pops Orchestra.
As a session player Jeff has played on hundreds of feature film and television soundtracks. His film credits of note include “Star Trek Beyond”, “Jurassic World”, “The Incredibles”, UP (Oscar winner for Best Soundtrack), and “O.J. Simpson: Made in America” – where Jeff is a featured soloist throughout the film (Oscar winner for Best Documentary Feature). His television credits include “Pennyworth”, “The Simpsons”, “Family Guy”, “Why Women Kill”, “American Dad”, “Parks and Recreation”, “Alias”, and “The Clone Wars” animated series. He has also played on hundreds of television and radio commercials, as well as the Academy Awards and the SAG Awards.
As a musical theater pit musician, Jeff has played on more than 60 Broadway shows including “West Side Story”, “Phantom Of The Opera”, “Dream Girls”, “Into the Woods”, “Sophisticated Ladies”, “Jesus Christ Superstar” and “Titanic”.
He has studied trumpet privately with Joe Alessi Sr., Boyde Hood, Bobby Shew, Claude Gordon and Uan Rasey. Jeff is currently a faculty trumpet and jazz instructor at The Master’s University.
Jeff is also a Bach Artist & Clinician.
In addition to playing the trumpet, Jeff also works as an arranger, orchestrator, and conductor. He has orchestrated for film and television, as well as other areas of music such as Broadway Shows, cruise ship music and theme park music.
His original big band charts can be found in the books of Arturo Sandoval, Bill Watrous, Jack Sheldon, Ron Jones, Emil Richards, Steve Spiegl and Bernie Dresel. He has published three transcribed jazz trumpet solo books through Aebersold Jazz.
Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment!
Join us in Woodbridge, NJ November 9-11!
Get ready, trumpet enthusiasts! We are thrilled to announce that Bob Reeves Brass will be doing a pop up shop at Dillon Music in Woodbridge, NJ. Dillon Music is perfectly situated close to New York City, and a short drive from Philadelphia and Washington D.C.
Don’t miss out on this fantastic opportunity to explore our extensive range of products, meet our team of specialists, and discover the latest innovations in trumpet technology. Consultations and valve alignments are available by appointment only by emailing Dillon Music at sales@dillonmusic.com or calling 732-634-3399.
What to Expect at the Bob Reeves Brass Booth
An impressive selection of over 300 trumpet mouthpieces, including the brand new for 2023 #19 commercial backbore and the BOOM★ Dan Rosenboom Signature Model.This is a great opportunity to meet with our trumpet specialists, Brett Kendall and John Snell. They’ll be more than happy to consult with you, answer any questions, and help you find the perfect trumpet setup tailored to your needs.
Are you looking to take your trumpet playing to the next level? Don’t miss this incredible opportunity to get a Bob Reeves Patented Valve Alignment right at Dillon Music. No need to ship your trumpet to our shop – simply drop it off at the store and pick it up later that day! Make sure to make an appointment by emailing sales@dillonmusic.com or calling them at 732-634-3399!
Not sure if you need a valve alignment? Bring your trumpet by Dillon Music, and we’ll measure its alignment for you, free of charge.
November 9-11, 2023
Dillon Music, Woodbridge, NJ
Join us for a weekend full of excitement, innovation, and all things trumpet at the 2023 National Trumpet Competition. We can’t wait to see you there!
Welcome to the show notes for Episode #111 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter David Washburn.
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David Washburn is a Yamaha Performing Artist and serves as Principal Trumpet of the Los Angeles Chamber Orchestra. A much sought-after musician in Los Angeles, he also holds the position of Associate Principal Trumpet of the LA Opera Orchestra. He has served as principal trumpet and soloist with the Hong Kong Philharmonic Orchestra.
Active in the recording studio, David has numerous motion picture soundtracks to his credit. He has played principal trumpet for Incredibles 2, Coco, A Quiet Place, Spider-Man Homecoming, War for the Planet of the Apes, xXx: Return of Xander Cage, 10 Cloverfield Lane, Independence Day – Resurgence, Godzilla, The Amazing Spider-Man, The Karate Kid, Avatar, The Legend of Zorro, Troy, A Beautiful Mind, Windtalkers, The Perfect Storm, Titanic and Deep Impact. He has also been part of the John Williams trumpet section for over 20 years and has performed on the soundtracks of Star Wars: The Force Awakens and Star Wars: The Last Jedi.
David is a member of the faculty at Biola University and Azusa Pacific University. He has held teaching positions at the University of California Irvine, Chapman University, California State University Northridge, California State University Long Beach, University of Redlands, Idyllwild Arts Academy and the Hong Kong Academy for Performing Arts.
David received his Master of Music, with distinction, from the New England Conservatory of Music in Boston and his Bachelor of Music from the Thornton Music School at the University of Southern California. His trumpet instructors have included Rob Roy McGregor, Robert Nagel, John Clyman and Joan LaRue.
David has been a featured soloist with many different orchestras, including the Los Angeles, St. Louis, Knox-Galesburg, Hong Kong and California Philharmonics; the Los Angeles, San Diego and South Bay Chamber Orchestras; the Berkeley, Burbank and Glendale Symphonies; and the New York String, University of California Irvine and Pasadena Pops Orchestras. He has also been featured with the New York Chamber Music Society at Lincoln Center, as well as at the Santa Fe, La Jolla and Music@Menlo Chamber Music Festivals.
In 2018, David performed the Bach Brandenburg Concerto No. 2 as well as the Telemann, Albinoni and Haydn Trumpet Concertos with the Lincoln Center Chamber Music Society, the Los Angeles Chamber Orchestra and the Knox-Galesburg Symphony.
In the summer, David performs at the Orcas Island Chamber Music Festival in Orcas Island, WA; Mainly Mozart Festival in San Diego, CA; Music@Menlo Chamber Music Festival in Menlo Park, CA; and the SummerFest Chamber Music Festival in San Diego. David was also part of the inaugural Chamber Music Festival at the Green Music Center in Sonoma, CA performing Bach’s Brandenburg Concerto No. 2 in 2015.
When David is not performing, his favorite pastime is boating with his children Timothy, Samantha, Nicholas and Julia.
Welcome to the show notes for Episode #23 of the Trombone Corner podcast. This episode features trombonist, Andy Martin
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Coming from a musical family, trombonist Andy Martin launched his career while still in his teens. His technique and virtuosity quickly established him on the Los Angeles music scene. As an instructor, Martin has influenced countless young players. He has appeared at many colleges and universities throughout the country as a guest artist and clinician.
A world-class jazz musician, Martin is featured as leader or co-leader on twelve albums. These albums showcase his collaboration with other top jazz artists such as the late Carl Fontana, Pete Christlieb, Bobby Shew, and Eric Marienthal. He has also collaborated as a sideman with jazz greats such as Stanley Turrentine and Horace Silver. Martin had a long association with British bandleader and jazz promoter Vic Lewis, and was the featured soloist on many of Vic’s CDs.
Martin is well known for his work as a lead player and featured soloist with virtually every big band in L.A. Martin is the lead trombonist and featured soloist with Gordon Goodwin’s Big Phat Band, the lead trombonist and soloist for The Tom Kubis Band, and was a featured soloist for the Bill Holman Big Band for 15 years. He has appeared in bands led by Jack Sheldon, Louis Bellson, Quincy Jones, Matt Cattingub, Bob Curnow, Patrick Williams, and Sammy Nestico, among others.
Martin has long been one of L.A.’s most prominent trombonists for commercial recordings, television and motion picture soundtracks and live theater. He has contributed on albums for many popular artists, including the Pussycat Dolls, Coldplay, and Michael Bublé. His television credits include the Grammys, the Emmys, the Academy Awards, the Golden Globes and the Screen Actors Guild Awards. Martin has been the lead trombonist on television shows Dancing With The Stars and American Idol, and has appeared regularly on the soundtracks of major television series such as Family Guy, American Dad, and King of the Hill. His motion picture credits span the soundtracks of over 150 major films.
Welcome to the show notes for Episode #110 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Mike Price.
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Mike Price is a professional trumpet player, formerly living in Tokyo, Japan. He composes and performs with the Mike Price Jazz Quintet or Orchestra. Originally from Chicago Illinois, he was a student of Vincent Cichowicz (Chicago Symphony Orchestra) while getting a degree from Northwestern University. Following 3 more years studying jazz composition at Berklee School of Music , he toured with the Stan Kenton Orchestra followed by touring with Buddy Rich. Mike played 1st trumpet for both bands. (1967- 1970)
Back in Los Angeles in 1972 Mike was an original member of the Toshiko Akiyoshi/Lew Tabackin Big Band, touring Japan many times before moving to Tokyo in 1989 for an NEA/U.S.- Japan Friendship Commission Artist exchange program grant. After conclusion of the grant period, he joined the Sharps & Flats Orchestra led by Nobuo Hara, staying with this band until the leader’s retirement. During this time, Mike formed a jazz quintet in 1993 and a big band in 1999, both becoming active participants in the Tokyo jazz scene. The big band had its first concert to commemorate the 100th anniversary of Duke Ellington’s birth with a rare performance of the “Such Sweet Thunder Suite,” alternatively known as the “Shakespearian Suite.” The orchestra’s activities continued with new projects such as the Miles Davis/Gil Evans “Miles Ahead,” “Porgy & Bess Suite,” “Tribute to Frank Sinatra,” “Tribute to Buddy Rich,” Ellington’s “Far East Suite,” “ A Tribute to Gerald Wilson,”
with whom Mike worked in Los Angeles before going to Japan.
During the early 2000’s, Mike was introduced to Detroit jazz singer, Harvey Thompson, with whom a collaboration began. Many performances followed with Harvey being featured with both Mike’s quintet and big band.
In 2011 Mike recorded a CD with his Tokyo Quintet with all original compositions. “Presenting the Mike Price Jazz Quintet In Tokyo.”
Twenty five years after arriving in Japan, after Hara san’s retirement, Mike has returned to home ground in Los Angeles forming the American version of his quintet and orchestra with some of LA’s top jazz musicians.
Throughout his performing career, Mike has a parallel commitment to teaching. Before going to Japan, he graduated with a Master’s Degree from University of Southern California with the help of a teaching assistantship in Jazz Studies. Shortly afterwards he received a California Community College Instructor Credential. There have been many private students in addition to band clinics and performances for high schools, universities, and community bands oth before and while living in Japan. Notable in this was an 18 year contract with Hamamatsu Public Schools to teach elementary, middle school, and high school students brass instrument instruction and fundamentals of jazz ensemble performance. Also, there was a 9 year contract to teach beginning trumpet classes at the elementary level and private lessons through high school to students at St. Maur International School in Yokohama, Japan.
Welcome to the show notes for Episode #109 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Bill Bing.
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William Bing has recently retired as Director of Bands and Artist in Residence at the California Institute of Technology. During that time, he conducted over 250 concerts with the Caltech Jazz and Concert Band. He also served on the undergraduate admissions committee and was named an outstanding teacher by the students from Caltech Bill and his wife Delores have won many teaching awards including the Associated Students of Caltech Teaching Award, Pasadena Youth Music Council Teacher of the Year, and most recently Honorary Membership in the Caltech Alumni Association. For ten years he was a member of the Los Angeles Opera Orchestra, and for five years he was a performer with the Los Angeles Chamber Orchestra. He has published two method books for trumpet. Students that have studied with Bill have played with the Red Hot Chili Peppers, Green Day, Reel Big Fish, Poncho Sanchez, the Duke Ellington Orchestra, the Pacific Symphony, the Los Angeles Philharmonic and many other classical, rock, and jazz ensembles. His clinics and concerts have received rave reviews by other band directors from junior high school through the college level. For his clinic, Bill emphasizes sound, and from there, balance, intonation, and style.
Welcome to the show notes for Episode #22 of the Trombone Corner podcast. This episode features trombonist, Douglas Yeo
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Recognized worldwide as a leading low brass performer, teacher, scholar, and author, Douglas Yeo is Clinical Associate Professor of Trombone at University of Illinois at Urbana-Champaign for the 2022–2024 academic years. From 1985-2012, he was bass trombonist of the Boston Symphony Orchestra and before coming to Boston, he was a member of the Baltimore Symphony Orchestra, a free-lance musician in New York City, and a high school band director. He served as Professor of Trombone at Arizona State University from 2012–2016 and has also been on the faculties of New England Conservatory of Music and the Peabody Institute of Johns Hopkins University. Since 2019, he has been trombone professor at Wheaton College (Illinois). He received his Bachelor of Music degree from Wheaton College (1976)—where he studied trombone with Edward Kleinhammer (bass trombonist of the Chicago Symphony,
1940–1985)—and his master’s degree from New York University (1979).
In 2014, Douglas Yeo was the recipient of the International Trombone Association’s highest honor, the ITA Award, given to him “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance.” He has written dozens of book chapters and articles for many publications including the International Trombone Association Journal, the Historic Brass Society Journal, the International Tuba Euphonium Association Journal, and the Galpin Society Journal, and is the author of The One Hundred: Essential Works for the Symphonic Bass Trombonist (Encore Music Publishers), Serpents, Bass Horns and Ophicleides at the Bate Collection (University of Oxford Press), and co-author (with Edward Kleinhammer) of Mastering the Trombone (Ensemble Publications). His most recently published books are Homer Rodeheaver and the Rise of the Gospel Music Industry (2021, co-authored with Kevin Mungons, University of Illinois Press), and An Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player (2021, Rowman & Littlefield). His instructional DVD and seven solo recordings have received critical acclaim as have his 12 music arrangements that are published by G. Schirmer, International Music, Southern Music, and De Haske Music.
As a teacher, Douglas Yeo has given master classes and recitals on five continents and
has held residencies around the world including the International Trombone Festival
(seven times), the Banff Center (Canada), the Hamamatsu International Wind Instrument
Academy and Festival (nine times) and the Nagoya Trombone Festival (Japan), the
International Trombone and Tuba Festival (Beijing), and the Dutch Bass Trombone Open
(Holland). His website, yeodoug.com (1996), was the first site on the Internet devoted to
the trombone, and his blog, thelasttrombone.com—Occasional thoughts on Life, Faith,
and the Trombone—was launched in 2016. He is a Yamaha performing artist.
Video links (three links):
Elizabeth Raum, Turning Point https://youtu.be/yzHZW0zF_K4
Girolomo Frescobaldi, recomposed by Eddie Koopman, Canzone
https://youtu.be/Sk2BiD2FUYM
John Stevens, The Chief; Steven Verhelst, A Song for Japan
https://youtu.be/pPVxhmcMJ8g
Welcome to the show notes for Episode #108 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Chris O’Hara.
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Chris O’Hara is an internationally renowned trumpet soloist, a chamber musician, and educator. His playing is described as “virtuosic and impressive in every way” (Chicago Music Examiner), and “a treat beyond measure” (Arlington Advocate), and the International Trumpet Guild Journal hails him as a “true master of [the] instrument.” Already in his young career, Chris has performed over 3,000 featured artist events covering 48 states and 12 countries across North America, Europe, Great Britain, and Asia. His performance schedule has taken him to notable venues such as the Italian Brass Week, Ravinia Music Festival, the Tanglewood Music Festival, the Norfolk Music Festival, the Festival de Camara de Musica in Aquacalientes Mexico, the Nagoya Conservatory of Music, the Newport Music Festival and Millennium Hall in Japan. Chris currently serves as Adjunct Professor of Trumpet at Elmhurst University and Concordia University.
Chris is a clinician for Conn-Selmer Company and Denis Wick and has presented countless master classes and clinics at public schools and the world’s finest colleges and universities. He can be heard on recordings on the Paraclete and AAR labels. His latest releases, johann sebastian BACH with organist Mark Engelhardt, On Tour, Vol. 1 with the Alliance Brass, and the award-winning Now, O Now with the Illumine Trio can be found on the Rowjack label. His performances have also been broadcast on NPR, NBC, WGN, the Hallmark Channel, and more. Chris serves as Adjunct Professor of Trumpet at Elmhurst University.
Welcome to the show notes for Episode #21 of the Trombone Corner podcast. This episode features trombonist, Bill Reichenbach.
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Bill Reichenbach grew up in the Washington, D.C. suburb of Takoma Park, Maryland where he studied trombone with Gene Brusiloff and Robert Isele. After high school, Bill was accepted to the Eastman School of Music in Rochester, New York. There, he studied with the great Emory Remington. While still a student, Bill began his recording career by playing lead trombone on several Chuck Mangione albums, a couple of albums with the Eastman Wind Ensemble (one on bass trombone and another one on euphonium), and the first recording of Leonard Bernstein’s “Mass” (on bass trombone) which was composed for the opening of the Kennedy Center in Washington, D.C.
After graduation, Bill toured for while with the Buddy Rich Big Band on bass trombone. During this time, the band recorded an album called “Stick It” which featured Bill on an arrangement of Jobim’s “Wave”.
In 1975, Bill moved to L.A. where he started playing the jazz tenor trombone chair on Toshiko Akiyoshi’s big band. He made quite a few albums with the band over the next several years and was a featured soloist on all of them. At the same time, Bill was also the solo jazz trombone player on Don Menza’s big band and he recorded solos on an album with the band. Don put together a sextet out of the big band and featured Bill on tenor and bass trombone on a recording with that band.
As a studio player, Bill has played on about 2000 records, 1000 motion pictures, and countless TV shows and jingles.
Bill’s jazz quartet album “Special Edition” (Nothing But Bills Records) featuring Peter Erskine on drums, Jimmy Johnson on bass, and Biff Hannon on piano, reached number 10 on the national jazz radio play lists.
New York trombonist Mike Davis and Bill have done 4 albums together – “Bonetown”, “Brass Nation”, “New Brass” and most recently, “Absolute Trombone II” and have played concerts all over the United States, Canada, and Europe.
Bill has been a featured artist and clinician at several International Trombone Festivals including Utrecht (Holland), Nashville, Urbana (Illinois), North Texas State University, and most recently Las Vegas (2007), and Salt Lake City (2023).
Some of the artists Bill has recorded with:
Michael Buble, Harry Connick, Jr., The Jonas Brothers, Christine Aguilera, Seal, Mya, Quincy Jones, Barbra Streisand, Michael Jackson, Elton John, Toto, The Yellowjackets, Seawind, Frank Sinatra, Tony Bennett, David Foster, Aretha Franklin, Al Jarreau, Earth Wind and Fire, Dr. John, Arrowsmith, and Ray Charles. 
Some of the motion pictures which Bill has played on are:
“Indiana Jones 5”
“Wolverine”
“Night in the Museum 2”
“Indiana Jones and the Curse of the Crystal Skull”
“Up”
“Sex in the City”
“Hancock”
“Ratatouille”
“Spiderman 3”
“Hairspray”
“Dreamgirls”
“Transformers”
“American Gangster” “Wall-E”
“I Am Legend”
“Dreamcatcher”
“X-men II”
“Identity”
“The Core”
“Daredevil”
“Red Dragon
“Chicago”
“Men in Black II”
“XXX”
“Training Day”
“Spiderman”
“Collateral Damage” “Black Hawk Down” “Planet of the Apes” “Monsters, Inc”
“Don’t Say a Word” “Zoolander”
“Princess Diaries”
“American Pie 2”
“Legally Blond”
“Scary Movie 2”
“The Mummy Returns” “Evolution”
“What Women Want” “Proof of Life”
“X-men”
“Space Cowboys”
“Remember the Titans” “Meet the Parents”
“Family Man”
“Charlie’s Angels”
“The Matrix”
“The General’s Daughter” “The Green Mile”
“South Park”
“Sixth Sense’
“Deep Blue Sea”
“Toy Story 2”
“Magnolia”
“Stuart Little”
“Galaxy Quest’
“Reindeer Games”
“U-571”
“Godzilla”
“Contact”
“Conspiracy Theory”
“The Jackal”
“Alien Resurrection”
“Men in Black”
“Air Force One”
“Batman and Robin”
“Forrest Gump”
“Independence Day”
“Mars Attacks”
“Hercules”
“Mission Impossible”
“Batman Returns”
“Twister”
“The Rock”
“Starship Troupers”
“The Frighteners”
“Jurassic Park”
“Nixon”
Bill is an Artist-clinician for the Greenhoe/Shilke Co. He has given master classes and clinics throughout the United States, Europe, New Zealand and Australia.
As a writer and arranger, Bill has worked on records for Michael Jackson, Quincy Jones, Aretha Franklin, Dr. John, Diana Ross and others. He has arranged many HBO Special Themes and composed the theme for the HBO “One Night Stand” comedy show. Bill also composed the theme for Fox’s animated series “Peter Pan & the Pirates” as well as much of the underscoring. He contributed to such films and shows as “Licorice Pizza”, “I Love Trouble”, “Frank’s Place”, “Baby Boom”, “Brand New Life”, “Snoops”, “Teen Wolf”, and the special “Cartoon All-Stars to the Rescue”. Bill composed the main title for a series of Kurt Vonnegut stories called “Welcome to the Monkey House” for Showtime. He composed a score for a documentary film about Frank Lloyd Wright called “A Very Proud House”.
Bill has also composed pieces for Wind Ensemble including “Streets of Paris” which was recently premiered by trombone soloist Larry Zalkind and The Riverside City College Wind Ensemble conducted by Kevin Mayse, “Atlantic Crossing”, “Streets of Paris”, “The Improbable Journey”, “Fanfares, Questions and Answers”, and “An American Dream”. Bill and family now live near Asheville, NC.
Bill plays the Greenhoe Bass Trombone.
Welcome to the show notes for Episode #107 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Courtney Jones.
Listen to or download the episode below:
Podcast: Play in new window | Download
The newest directions in 21st Century trumpet performance are being explored and defined by Courtney Jones, an award-winning Bach performing and recording artist who has also emerged as a leading figure in contemporary performance and pedagogy, conducting, and service to inner-city youth through music outreach programs. An artist who transcends stylistic boundaries and in high demand as a clinician and adjudicator, Courtney has performed with classical ensembles and orchestras throughout the United States, internationally, and has won multiple solo awards and accolades through regional and national trumpet competitions.This journey began in Jones’ hometown of Columbus, Georgia. While earning his Bachelor of Music degree at Columbus State University, Courtney performed with various Columbus State University ensembles and recorded with artists such as Jens Lindemann, Joseph Alessi, John Bruce Yeh, and the Columbus State University Wind Ensemble under the Naxos Music label. While completing his Master of Music degree in Trumpet Performance at Shenandoah Conservatory in Winchester, Virginia, Courtney studied under the instruction of J. Carlton Rowe, former Principal Trumpet of the “President’s Own” United States Marine Band, Craig Fraedrich of The U.S. Army Blues, and performed as Substitute Principal with the Loudon Symphony Orchestra of Leesburg, Virginia. He also had additional studies with Steve Hendrickson of the National Symphony Orchestra
Courtney conducted his doctoral studies at UCLA under the instruction of international soloist and former lead trumpet of the Canadian Brass, Jens Lindemann. During his time at UCLA, Courtney worked as a Teaching Associate for lecture courses and provided weekly lessons for university trumpet students under the direction of Lindemann. Winner of a Gluck Fellowship, Jones was then selected as the conductor of the UCLA Brass Ensemble during the latter part of his residency. His musicological research during this period explored 21st Century ideological and transcendental concepts of performance practice focusing on a lesser-known contemporary work of composer Frank Ticheli, The First Voice for Solo Bb Trumpet. The intention of this dissertation was to broaden the technical capabilities of 21st century performers and shed light on the ideological and philosophical foundations of Ticheli’s composition. While the study is largely analytic and interpretive, the main purpose and goal is to help modern trumpet players develop more confidence in performing Ticheli’s music and other contemporary compositions in related genres.
Before completing his doctorate, Courtney was appointed as the Visiting Assistant Professor of Trumpet at the Voxman School of Music at the University of Iowa. During his two-year residency Jones served as the Principal Trumpet for the Iowa Faculty Brass Quintet, taught Graduate Brass Pedagogy and Literature, and served on recital and graduate committees. He was asked to lead the University’s top performing Jazz Ensemble (director on leave) and produced an engaging performance concert by the University’s Brass Ensemble (which had previously been inactive for a number of years) to showcase the importance of Brass Bands as an engaging training ground for solidifying technical and pedagogical facility for brass players. In addition to his applied obligations, Courtney performed with Orchestra Iowa, the Dubuque Symphony, and gave solo performances with both the Cedar Rapids Municipal Band and New Horizons Band. One of which was the Midwest Premiere of Kim Scharnberg’s Travelogue for Eb Trumpet.
Besides performing with well-known jazz and popular artists, he has shared the stage with famous artists or groups such as Kenny Burrell, B.B. King, Dee Dee Bridgewater, Rihanna, Lalo Schifrin, Vanessa Williams, Boy George and The Culture Club, Jennifer Cox, and Stevie Wonder. In addition to his solo performance career, Courtney has performed with the Golden States Pop Orchestra, the Southeast Symphony Orchestra, the Macao Orchestra (China), the Pasadena Orchestra, the Debut Orchestra, the Inspiravi Chamber Orchestra, the Gateways Festival Orchestra, the Orchid City Brass Band, the Oslo Philharmonic (Norway), the Long Beach Opera, the Chamber Singers of Iowa City, the Salt-River Brass Band, the Gateways Brass Collective, and most recently had his Carnegie Hall and Metropolitan Art Museum performance debut this past May in New York. His feature film and television credits include music performed for “Glee,” “Notes from Dad,” “Cougar Town,” and “Criminal Min
ds” among other productions listed under the media tab of his website.
Prior to his appointment at Florida Atlantic University as the Assistant Professor of Trumpet & Artistic Director of Jazz and Chamber Ensembles, Jones w
as a Lecturer of Music at Columbus State University while recording his Solo CD project, “Between 2 Worlds,”
at the Joyce and Henry Schwob School of Music. Between teaching and solo performing engagements, Dr. Jones has and continues to promote music education and instrumental performance in inner-city schools through the Music Outreach Program at UCLA, The Harmony Project of Los Angeles, Trumpets 4 Kids in Dallas, Texas, and the Nat King Cole Generation Hope, Inc. Each of these programs offers schoolchildren art-in-education opportunities. These programs are essential because they provide underserved, inner-city students, and communities with musical training and mentorship that would otherwise be inaccessible.
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