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Niall O’Sullivan Trumpet Interview – The Other Side of the Bell #68

Niall O’Sullivan – Trumpet Interview

Welcome to the show notes for Episode #68 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Niall O’Sullivan.

Listen to or download the episode below:

About Niall O’Sullivan

Niall O'SullivanInternationally acclaimed cross-genre trumpeter Niall O’Sullivan has performed all over the world, from orchestral playing to his solo theatre show. Niall has performed in some of the world’s most stunning venues throughout Ireland, Europe, Asia and the USA.

Leading his own ensemble, Niall and his fellow musicians continue to dazzle the public and give them a fresh appreciation for the trumpet. Bach to Brecht, Handel to Hammerstien, Purcell to Piazzolla, there is no genre Niall will not tackle.

Niall and his wife, vocalist Shóna, have toured extensively in the USA with their hit show ‘My Funny Valentine’ selling out theatres to rave reviews.

Niall has performed live with some of the biggest names in the music business, Perry Como, Dionne Warwick, Curtis Stigers, Imelda May, The Pogues, Lalo Schifrin, Jose Carreras, Dame Kiri Te Kanawa, Sinead O’Connor, Michel Legrand and many more.

His latest album ‘Niall O’Sullivan and Friends’ was produced by Julian Lloyd Webber and Gavin Murphy. It features duets with opera star Danielle de Niese, four time ‘Grammy’ winning jazz guitarist Larry Carlton, theatre royalty Kim Criswell and two of Ireland’s finest vocalists, Emmet Cahill and Lisa Lambe. Accompaniment is provided by the RTÉ Concert Orchestra recently voted the ‘World’s Favourite Orchestra’ by Bachtrack and conductor David Brophy with arrangements by Gavin Murphy.

With a love of opera and the human voice, Niall O’Sullivan tries to emulate this passion when performing.

Niall O'Sullivan playing trumpetWhen the trumpet world got word of his growing profile as a performer and recording artist, Niall became a performing artist for Schilke Trumpets, Chicago exclusively. This relationship has seen Niall represent Schilke across the globe, from Dublin to Los Angeles.
Niall’s self titled debut album and ‘Ballads’ EP reached #1 on the iTunes classical and jazz charts respectively.

As an educator, Niall has given masterclasses and tutored for the National Youth Orchestra of Ireland, Royal Irish Academy of Music and Music Generation Ireland. As an examiner, Niall has enjoyed hearing both grade exams and third level performances for various examination bodies.

Niall started performing at the age of eight in the Artane Boys Band, Dublin. With “the best foundation imaginable” in place, Niall started lessons on scholarship at the DIT Conservatory. He then studied at the Royal Irish Academy of Music for a further four years. Niall was awarded a scholarship for post graduate studies at the Royal College of Music, London.

Niall O’Sullivan is represented by Polaris Artist Management, Vienna.

Niall O’Sullivan is an international performing artist exclusively for Schilke trumpets, Chicago.

Niall O’Sullivan Links

Podcast Credits

Tiger Okoshi Trumpet Interview – The Other Side of the Bell #62

Tiger Okoshi – Trumpet Interview

Welcome to the show notes for Episode #62 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Tiger Okoshi.

Listen to or download the episode below:

About Tiger Okoshi

Toru “Tiger” Okoshi was born in the Year of the Tiger on March 21 1950, just outside of Osaka (Ashiya city, Hyogo) As a child he was, in fact, devoted to painting as he loves today. At 13, he had an enlightening experience to see Louis Armstrong Perform live in Osaka, Japan, only 6 months after he begun to play the trumpet. ”He was painting the air with his trumpet” recalls Okoshi. Today, Okoshi often describes the relationship with his horn: “When I play, I want to paint the air with my colorful tone. Choices between long or short strokes, quick or slow, high in the canvas or low, brighter color or darker, with a fat brush or a pen. Paint the air one note at a time.”

In 1972, after graduating from Kwansei Gakuin University with a bachelor of commerce, he married Akemi Usui. They flew to the US to honeymoon, speaking no English. “We took a Greyhound bus across country from Los Angeles, but when we arrived in Boston, somehow we knew that we couldn’t go back.” They decided to sell their return tickets and paid the tuition at Berklee College of Music. Tiger graduated in 1975 receiving the highest honor of summa cum laude. During his 3 years at Berklee, Tiger performed at Carnegie Hall in New York in 1974 with British composer Mike Gibbs sharing the concert with legendary Bill Evans trio. After graduation, he went on the tour with Buddy Rich orchestra.

In 1976, he formed “Tiger’s Baku” the popular Boston fusion group that received many awards: Boston Magazine’s Best Jazz Band (1988), Boston Music Awards’ Best Jazz Band and the Best Horn Player (1988, 1989 and 1990), and Boston Phoenix/WFNX Best Music Poll in 1992. Grammy Award winner guitarist Bill Frisell was an original member in Tiger’s Baku. Baku is a mythical creature that eats people’s nightmares.

Tiger in Italy producing a CD of a former Berklee student.

In 1977, Tiger received Outstanding Composer & Arranger awards from the Collegiate Jazz Festival at University of Nortre Dame, IN. This award helped him acquire his US Permanent Residence status. Word of his abilities spread in no time. He joined in Gary Burton quartet in ’78 and recorded “Times Square” (ECM, featuring Roy Haynes and Steve Swallow) and toured the world. Keeping Boston as his base, Tiger has been a Berklee faculty member since 1997.

Performance has performed with Tony Bennett, Dave Grusin’s LA-NY Dream band (Grammy nominee, 1982), Pat Metheny, Gunther Schuller, Lyle Mays, Bob Mintzer, George Russell’s Living Time Orchestra, Dave Liebman, Mike Stern & Dave Weckle Band, Miloslav Vitous, Bela Fleck, Jerry Bergonzi, Dave Holland, Jack Dejonnet, Joe Lovano, Delfeayo Marsalis’s Octet with Branford Marsalis. Pop and R&B performances with Michel Franks, Teddy Pendergrass, Aimee Mann’s ‘Til Tuesday, The O’Jays, The Four Tops, The Stylistics, Little Anthony and The Imperials, Frankie Avalon and Bobby Lydel, legendary rock singer Brad Delp of “Boston”.

As producer and instructor, Tiger produced the Japanese female jazz singer Mizuho’s CD in 2008. Tiger has operated since 2006 the Hokkaido Groove Camp in Sapporo, Hokkaido, Japan to teach jazz to young musicians in Japan. He also operates Domaine Forget Jazz Camp in St. Irinee, Quebec, Canada.

Tiger, who loves sports, was invited to perform “The Star Spangled Banner” at the opening game of the 2007 season between Boston Red Sox and New York Yankees at Fenway Park, as well as the playoff games in 2007 and 2008. Tiger’s trumpet was surrounded by 20 trumpets, 10 trombones and 7 Japanese Taiko drummers playing his original arrangement. In 1997, Tiger recorded a CD entitled “Hustle Tigers” for Japanese major league baseball team Hanshin Tigers.

Tiger Okoshi Links

Podcast Credits

Phil Smith Trumpet Interview – The Other Side of the Bell #59

Phil Smith – Trumpet Interview

Welcome to the show notes for Episode #59 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Philip Smith.

Listen to or download the episode below:

About Philip Smith

Philip Smith joined the New York Philharmonic as Co-Principal Trumpet in October 1978, and assumed the position of Principal Trumpet in June 1988. His father, Derek Smith, a renowned English cornet soloist, provided his early training. He is a graduate of The Juilliard School, having studied with Edward Treutel and William Vacchiano, former Principal Trumpet of the New York Philharmonic. In January 1975, while still at Juilliard, Sir Georg Solti appointed Mr. Smith to the Chicago Symphony Orchestra.

Philip Smith joined the Hugh Hodgson School of Music at the University of Georgia as the William F. and Pamela P. Prokasy Professor in the Arts in August 2014. In addition to teaching his trumpet studio, he is the Bandmaster of the UGA British Brass Band, member of the faculty Georgia Brass Quintet, and coach of the Bulldog Brass Society. This new position follows his retirement from the New York Philharmonic after 36 years of service as Principal Trumpet.

Mr. Smith has appeared regularly as soloist, recitalist, chamber orchestra performer, and clinician. He has been featured as a soloist with the Philharmonic performing with conductors Zubin Mehta, Kurt Masur, Erich Leinsdorf, Leonard Bernstein, Neeme Jarvi, Lorin Maazel, Alan Gilbert and Bramwell Tovey. Repertoire highlights have included the world premiere of Joseph Turrin’s Trumpet Concerto with the New York Philharmonic (1989) and its subsequent European premiere with the Leipzig Gewandhaus Orchestra (1994). Additional New York Philharmonic performances have included the U.S. premiere of Jacques Hetu’s Trumpet Concerto (1992), the world premiere of Lowell Liebermann’s Concerto (2000), and the world premiere of Siegfried Matthus’s Double Concerto for Trumpet, Trombone, and Orchestra (2003). He has also been a guest soloist with the Mostly Mozart Festival Orchestra, and the symphonies of Edmonton, Newfoundland, South Dakota, Sioux City, Cedar Rapids (Orchestra Iowa), Columbus (Indiana), Pensacola (Florida), Hartford (Connecticut), and Beaumont (Texas). He has appeared as guest Principal Trumpet with the Orchestre de Paris, conducted by Daniel Barenboim, performing Mahler’s Symphony #5.

Mr. Smith has also appeared with many symphonic wind ensembles, including the US “President’s Own” Marine Band, the West Point Academy Band, the US Army TRADOC Band, the US Coast Guard Band, La Philharmonie des Vents des Quebec and many major university wind ensembles. He appeared at The College Band Directors National Association Convention in Austin, Texas, for the world premiere of Turrin’s Chronicles (1999) with the University of New Mexico Wind Ensemble. A subsequent recording of Chronicles was produced which included the world premiere of Stephen Gryc’s Evensong (2000) and Turrin’s Fandango (2000). Alfred Cohen’s “curls of motion” was premiered in 2008 with the Columbus State University Wind Ensemble. Aaron Kernis’ a Voice, a Messenger was premiered in 2013 with the University of Illinois Wind Ensemble.

An avid brass band enthusiast, Mr. Smith has been guest soloist with the United States Army Brass Band, and the contesting bands of Goteborg Brass (Sweden), Black Dyke Mills and Rigid Containers Band (Britain), Hannaford Street Silver Band and Intrada Brass (Canada), as well as Columbus Brass Band, Triangle Brass Band, and Imperial Brass (USA). He has soloed with all of the Salvation Army Staff Bands worldwide including the International Staff Band, New York, Chicago, Amsterdam, Melbourne, German and Japan. He appeared as featured soloist at the 1996 British Open Brass Band Championships in Manchester, England.

Mr. Smith has been on the faculty of The Juilliard School and Manhattan School of Music, and has appeared as recitalist and clinician at the Caramoor International Music Festival, Grand Teton Music Festival, Swiss Brass Week, Breman (Germany) Trumpet Days, Oslo (Norway) Trumpet Week, Harmony Ridge (Vermont) Festival, Scotia Festival of Music and numerous International Trumpet Guild conferences.

In 2005, Mr. Smith was made an Honorary Member of the Royal Academy of Music (Hon RAM). In 2006, Mr. Smith was given the International Trumpet Guild Honorary Award.As a member of the Principal Brass Quintet, Mr. Smith has toured Japan four times, as well as Brazil and Germany. He has also performed and recorded with the Canadian Brass, Empire Brass, Chamber Music Society of Lincoln Center, Bargemusic, and New York Virtuosi Chamber Symphony. His solo recordings include Contest Solos produced by the International Trumpet Guild; Fandango, featuring New York Philharmonic Principal Trombonist Joseph Alessi and the University of New Mexico Wind Symphony (Summit); My Song of Songs with the New York Staff Band of The Salvation Army (Triumphonic); Copland’s Quiet City (Deutsche Grammophone); New York Legends (CALA); Orchestral Excerpts for Trumpet (Summit); Ellen Taaffe Zwilich’s Concerto for Trumpet and Five Instruments (New World); Bach’s Brandenburg Concerto No. 2 (Koch); Walton’s Facade (Arabesque); and The Trump Shall Resound and Repeat the Sounding Joy(Heritage).

Mr. Smith has collaborated on a series of projects with Curnow Music Press (Hal Leonard), publishing music arrangements with demonstration CDs. These include Great Hymns, More Great Hymns, and Great Christmas Carols for Trumpet and Piano. Two trumpet study books with demo CD have also been produced, Concert Studies and Advanced Concert Studies. In a similar project published by Michael Davis and Hip-Bone Music, Mr. Smith has recorded the 20 minute WARM UP ROUTINE and a soon to be released etude book. Also in this series is Total Trumpet, featuring a variety of trumpet studies demonstrated by Randy Brecker, Jim Hynes and Philip Smith.

Mr. Smith’s film soundtrack credits include: Cobb (1994) music by Elliot Goldenthal; The Hudsucker Proxy (1994) music by Carter Burwell; A Time To Kill (1996) music by Elliot Goldenthal; Punchline (1998) music by Gary Anderson and Charles Gross; Sphere (1998) music by Elliot Goldenthal; The Rookie (2002) music by Carter Burwell; The Ladykillers(2004) music by Carter Burwell; Manchurian Candidate (2004) music by Rachel Portman; Hitch (2005) music by George Fenton and Alan Elliot. His commercial soundtrack credits include: “NBC Sunday Night Football Theme 2006” music by John Williams; “NBC Super Bowl XVIII Theme 2008” music by John Williams and Joel Beckerman (currently heard); “NBC and Golf Channel Tournament Theme 2013” music by Joel Beckerman.

Philip Smith Links

Podcast Credits