Category

Trombone Corner

Bill Reichenbach Trombone Interview – Trombone Corner #21

Bill Reichenbach Trombone Interview

Welcome to the show notes for Episode #21 of the Trombone Corner podcast. This episode features trombonist, Bill Reichenbach.

Listen to or download the episode below:

About Bill Reichenbach

Bill Reichenbach grew up in the Washington, D.C. suburb of Takoma Park, Maryland where he studied trombone with Gene Brusiloff and Robert Isele. After high school, Bill was accepted to the Eastman School of Music in Rochester, New York. There, he studied with the great Emory Remington. While still a student, Bill began his recording career by playing lead trombone on several Chuck Mangione albums, a couple of albums with the Eastman Wind Ensemble (one on bass trombone and another one on euphonium), and the first recording of Leonard Bernstein’s “Mass” (on bass trombone) which was composed for the opening of the Kennedy Center in Washington, D.C. 

After graduation, Bill toured for while with the Buddy Rich Big Band on bass trombone. During this time, the band recorded an album called “Stick It” which featured Bill on an arrangement of Jobim’s “Wave”. 

In 1975, Bill moved to L.A. where he started playing the jazz tenor trombone chair on Toshiko Akiyoshi’s big band. He made quite a few albums with the band over the next several years and was a featured soloist on all of them. At the same time, Bill was also the solo jazz trombone player on Don Menza’s big band and he recorded solos on an album with the band. Don put together a sextet out of the big band and featured Bill on tenor and bass trombone on a recording with that band. 

As a studio player, Bill has played on about 2000 records, 1000 motion pictures, and countless TV shows and jingles. 

Bill’s jazz quartet album “Special Edition” (Nothing But Bills Records) featuring Peter Erskine on drums, Jimmy Johnson on bass, and Biff Hannon on piano, reached number 10 on the national jazz radio play lists. 

New York trombonist Mike Davis and Bill have done 4 albums together – “Bonetown”, “Brass Nation”, “New Brass” and most recently, “Absolute Trombone II” and have played concerts all over the United States, Canada, and Europe. 

Bill has been a featured artist and clinician at several International Trombone Festivals including Utrecht (Holland), Nashville, Urbana (Illinois), North Texas State University, and most recently Las Vegas (2007), and Salt Lake City (2023). 

Some of the artists Bill has recorded with: 

Michael Buble, Harry Connick, Jr., The Jonas Brothers, Christine Aguilera, Seal, Mya, Quincy Jones, Barbra Streisand, Michael Jackson, Elton John, Toto, The Yellowjackets, Seawind, Frank Sinatra, Tony Bennett, David Foster, Aretha Franklin, Al Jarreau, Earth Wind and Fire, Dr. John, Arrowsmith, and Ray Charles.

Some of the motion pictures which Bill has played on are: 

“Indiana Jones 5” 

“Wolverine”  

“Night in the Museum 2” 

“Indiana Jones and the Curse of the Crystal Skull” 

“Up” 

“Sex in the City” 

“Hancock” 

“Ratatouille” 

“Spiderman 3” 

“Hairspray”

“Dreamgirls” 

“Transformers” 

“American Gangster” “Wall-E” 

“I Am Legend” 

“Dreamcatcher” 

“X-men II” 

“Identity” 

“The Core” 

“Daredevil” 

“Red Dragon 

“Chicago” 

“Men in Black II” 

“XXX” 

“Training Day” 

“Spiderman” 

“Collateral Damage” “Black Hawk Down” “Planet of the Apes” “Monsters, Inc” 

“Don’t Say a Word” “Zoolander” 

“Princess Diaries” 

“American Pie 2” 

“Legally Blond” 

“Scary Movie 2” 

“The Mummy Returns” “Evolution” 

“What Women Want” “Proof of Life” 

“X-men”  

“Space Cowboys” 

“Remember the Titans”  “Meet the Parents” 

“Family Man”  

“Charlie’s Angels” 

“The Matrix” 

“The General’s Daughter” “The Green Mile” 

“South Park” 

“Sixth Sense’ 

“Deep Blue Sea” 

“Toy Story 2” 

“Magnolia” 

“Stuart Little” 

“Galaxy Quest’

“Reindeer Games” 

“U-571” 

“Godzilla” 

“Contact” 

“Conspiracy Theory” 

“The Jackal” 

“Alien Resurrection” 

“Men in Black” 

“Air Force One” 

“Batman and Robin” 

“Forrest Gump” 

“Independence Day” 

“Mars Attacks” 

“Hercules” 

“Mission Impossible” 

“Batman Returns” 

“Twister” 

“The Rock” 

“Starship Troupers” 

“The Frighteners” 

“Jurassic Park” 

“Nixon” 

Bill is an Artist-clinician for the Greenhoe/Shilke Co. He has given master classes and clinics throughout the United States, Europe, New Zealand and Australia. 

As a writer and arranger, Bill has worked on records for Michael Jackson, Quincy Jones, Aretha Franklin, Dr. John, Diana Ross and others. He has arranged many HBO Special Themes and composed the theme for the HBO “One Night Stand” comedy show. Bill also composed the theme for Fox’s animated series “Peter Pan & the Pirates” as well as much of the underscoring. He contributed to such films and shows as “Licorice Pizza”, “I Love Trouble”, “Frank’s Place”, “Baby Boom”, “Brand New Life”, “Snoops”, “Teen Wolf”, and the special “Cartoon All-Stars to the Rescue”. Bill composed the main title for a series of Kurt Vonnegut stories called “Welcome to the Monkey House” for Showtime. He composed a score for a documentary film about Frank Lloyd Wright called “A Very Proud House”. 

Bill has also composed pieces for Wind Ensemble including “Streets of Paris” which was recently premiered by trombone soloist Larry Zalkind and The Riverside City College Wind Ensemble conducted by Kevin Mayse, “Atlantic Crossing”, “Streets of Paris”, “The Improbable Journey”, “Fanfares, Questions and Answers”, and “An American Dream”. Bill and family now live near Asheville, NC. 

Bill plays the Greenhoe Bass Trombone.

Bill Reichenbach Links

Podcast Credits

Michael Davis Trombone Interview – Trombone Corner #20

Michael Davis – Trombone Interview

Welcome to the show notes for Episode #20of the Trombone Corner podcast. This episode features acclaimed trombonist, arranger, composer and all around artist, Michael Davis. Listen to or download the episode below:

About Michael Davis

Trombonist/composer Michael Davis has enjoyed a diverse and acclaimed career over the past 40 years. Widely known as the trombonist for five world tours with the Rolling Stones, he toured and recorded extensively with Frank Sinatra, has released 14 CDs as a solo artist, composed over 150 works, authored a dozen books for brass players of all levels and appeared on over 500 CDs, television themes and motion picture soundtracks. He is the founder, creator and president of Hip-Bone Music, Inc. In 2011, the S.E. Shires Company released the Michael Davis signature model trombone and followed that in 2014 with the release of the Michael Davis+ trombone.

Born to a musical family in San Francisco, CA on August 13th, 1961, Michael’s early musical studies included the piano, drums, tuba, baritone horn and electric bass. Settling on the trombone in high school, he quickly found his stride and received principal chairs in many all-state honor groups. His collegiate career commenced at the Eastman School of Music in the fall of 1979.

In the spring of 1983, Davis received the break he had hoped for when the Buddy Rich Band called and asked him to sign on. His two-year stint with the band forged musical and personal friendships that continue to this day and presented him with “the best graduate degree anyone could possibly hope for.” Michael’s freelance career in New York City began in earnest in 1986 and before long he was one of the top trombonists around. As testimony to his versatility and wide regard, the list of jazz and pop luminaries he has worked with includes: James Taylor, Michael Jackson, Bob Dylan, Aerosmith, Tony Bennett, Jay Z, Sarah Vaughan, Sting, Beck, Branford Marsalis, Peter Gabriel, Sheryl Crow, Lyle Lovett, Bob Mintzer, Paul Simon, David Sanborn, Terence Blanchard and scores of others.

In the field of music education, Davis has served as a guest artist and clinician around the world, while also authoring a number of highly esteemed instructional books and arrangements for musicians of all ages and abilities.

 A multiple recipient of awards from the National Endowment for the Arts, he maintains his own jazz groups and projects through Hip-Bone Music. He has documented his efforts on 14 CDs as a leader, including his latest, Open City with the Hip-Bone Big Band featuring a star studded line-up of New York jazz and studio luminaries. Open City showcases a unique family alliance with Michael’s oldest son Cole penning three of the compositions, co-producing the entire project, and playing bass while his younger son Zaq brings his talents to the trumpet section.

Currently, Davis continues his busy schedule as an in demand New York freelance musician with a steady diet of Broadway shows, studio recording work and live concerts. He travels extensively as a solo artist guesting with professional, college and high school bands around the world, while also continuing to build his publishing company into one of the preeminent purveyors of the highest quality music for brass.

Michael Davis Links

Podcast Credits

Kenneth Thompkins Trombone Interview – Trombone Corner #19

Kenneth Thompkins- Trombone Interview

Welcome to the show notes for Episode #19 of the Trombone Corner podcast. This episode features Principal trombonist of the Detroit Symphony, Kenneth Thompkins.

Listen to or download the episode below:

About Kenneth Thompkins

Kenneth Thompkins was appointed Principal Trombone of the Detroit Symphony Orchestra by Neeme Jarvi. Prior to this appointment he held positions in the Buffalo Philharmonic and The Florida Orchestra and New World Symphony Orchestra.  He has also performed with the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and Chicago Symphony Orchestra.

Thompkins enjoys working with young musicians and has performed masterclasses and recitals at many universities including the Curtis Institute of Music, University of Michigan, and the Eastman School of Music. In 2017 Thompkins recorded Sonatas, Songs and Spirituals featuring the music of Alec Wilder, William Grant Still and Philip Wharton. Sonatas, Songs and Spirituals was the winner of The American Prize in Instrumental Performance for 2018-2019. He has performed as a soloist with the Detroit Symphony Orchestra, Chineke! Orchestra and New World Symphony.  He also premiered “Troubled Water” trombone concerto by Carlos Simon with the Detroit Symphony Orchestra in 2023.

Kenneth Thompkins Links

Podcast Credits

Alex Iles Trombone Interview – Trombone Corner #15

Alex Iles – Trombone Interview

Welcome to the show notes for Episode #15 of the Trombone Corner podcast. This episode features legendary Los Angeles studio trombonist, Alex Iles.

Listen to or download the episode below:

About Alex Iles

Alex Iles is principal trombonist of the Long Beach Symphony Orchestra and has performed with the Los Angeles Philharmonic, Hollywood Bowl Orchestra and The Los Angeles Chamber Orchestra.
In addition, he has toured as lead and solo jazz trombonist with Maynard Ferguson and the Woody Herman Orchestra and performs in many of the top LA based big bands and jazz groups including Bob
Florence’s Limited Edition, The Seth McFarlane Orchestra, The Tom Kubis Big Band, and Gordon Goodwin’s Big Phat Band. Alex can often
be found playing in the pit orchestras of numerous Los Angeles  productions of Broadway shows and has performed on hundreds of television and motion picture soundtracks. He has also appeared on numerous recordings with artists such as Barbra Streisand, Michael Buble, Josh Groban, John Williams, Paul McCartney, and Prince.
Alex has been a faculty trombone and jazz instructor at the California Institute of the Arts, Azusa Pacific College and California State University, Northridge. He has appeared numerous times as a featured soloist at the International Trombone Workshop and at The American Trombone Workshop in Washington DC.

Alex Iles Links

Podcast Credits

Noah Gladstone Interview – The Trombone Corner #14

Noah Gladstone – Trombone Interview

Welcome to the show notes for Episode #14 of the Trombone Corner podcast. This episode features trombonist, contractor and music entrepreneur, Noah Gladstone.

Listen to or download the episode below:

About Noah Gladstone

Noah Gladstone wears many hats. On any given day he may be found performing on historical trombones and other bass instruments for period concert reconstructions to recording trombone for the latest Hollywood’s motion picture or TV show, to managing orchestras for high profile clients and contracting musicians for global productions and recording sessions, to producing original music for the latest video game release with millions of viewers.
In 2011, he founded Hollywood Scoring, which has quickly become one of the premiere music production companies in the industry. In addition to writing original music and bespoke compositions for a variety of global clients and brands and building stadium shows on all major continents, Hollywood Scoring also maintains and operates a state of the art scoring stage in the heart of Los Angeles. Mr Gladstone has been involved with the production of recording sessions and live music shows and events (both locally and global) for a variety of clients from NBC-Universal, Illumination Entertainment, Microsoft, Riot Games League of Legends, MiHoYo’s Genshin Impact, Netflix, Paramount Productions, The Arcane anime series, Tencent Entertainment, Adult Swim, Macy’s 4th of July Fireworks and Thanksgiving Parade, Disney Theme Parks, Blizzard Entertainment, National Public Radio, among others.
As a trombonist and instrumentalist, he has performed with world class ensembles such as The Los Angeles Philharmonic, Hollywood Bowl Orchestra and The Chicago Symphony Orchestra, The Santa Barbara Symphony, Juilliard 415, Tesserae Baroque, Musica Transalpina to name a few. He has performed with pop icons such as Boy George and the Culture Club, Tom Jones, Michael McDonald, Pete Townshend, The Wu-Tang Clan, RZA, Pete Tong, Snow Patrol, Belle and Sebastian, Billy Idol, Sparks and many others. He holds a Bachelors and Masters degree in music from The University of Southern California in trombone performance. He has studied with Byron Peebles, Jay Friedman, Ralph Sauer and Terry Cravens.

Noah has been a brass instrument enthusiast since starting the trombone at age 12 and got into serious instrument collecting in high school when he found his first Bach Mt Vernon 42 and Elkhart Conn 88H trombone and developed an obsession for the art of musical instrument craftsmanship. He began working with Steve Ferguson at The Horn Guys Shop in 2001 and worked with Steve to build that store in the early days, learning a lot about the instrument business along the way and making friends with trombonists from around the world. In 2010, he founded The Brass Ark, his own music store dedicated to the appreciation, collection, restoration and sales of the best new, vintage and used brasswind instruments. It was with this goal in mind, to offer a location where brass enthusiasts could buy, sell, trade and learn about these rare horns and accessories, represented by a seller who is not only an expert and enthusiast himself in the field of vintage brasswinds. He maintains and upkeeps a museum and collection of some of the finest trombones ever made, including many rarities which have become inspiration for new models and equipment brought to market in collaboration with Noah and various makers such as Stephen Shires, Bob Reeves, Markus Leuchter, Brad Close, Stephan Schmidt and others.

Noah Gladstone Links

Podcast Credits

Barry Mosley Trombone Interview – Trombone Corner #13

Barry Mosley – Trombone Interview

Welcome to the show notes for Episode #13 of the Trombone Corner podcast. This episode features jazz valve trombonist, Barry Mosley.

Listen to or download the episode below:

About Barry Mosley

Inspired by the great valve trombonist BOB BROOKMEYER, Barry Mosley is keeping the legacy of playing  jazz valve trombone.  The first important jazz valve trombonist were JUAN TIZOL and BRAD GOWANS in the 1930s and 1940s, setting the stage for others. The valve trombone has a unique place in jazz history.

Barrys first great jazz credit as a young artist was performing many times with jazz legend CHET BAKER in the mid-1980s by Chet’s invitation. The lyrical qualities of Bob Brookmeyer and Chet Baker has been a major influence on Barry’s approach to jazz improvisation.

Playing as a leader and jazz soloist, Barry has been performing at top Los Angeles jazz clubs for many years as well as performing for special Los Angeles society events. Barry’s valve trombone style has also been greatly influenced by the cool sounds of California’s WEST COAST JAZZ providing for a unique and always swinging jazz experience.

Barry moved to Los Angeles in 1989 from the California Bay Area to be involved in the great music scene in Los Angeles. Being mentored by two great trombonist Slyde Hyde and Bill Watrous, Barry soon began playing in the top Los Angeles jazz clubs a leader and jazz soloist on valve trombone.

Some Los Angeles jazz club credits include:

VITELLOS, SPAZIOS, RED WHITE and BLUEZZ, COLES, JAX BAR AND GRILL, THE HIP KITTY in Clairmont, CAFFE 322,, LEFT COAST WINE BAR, CHADNEYS, COLOMBOS,  THE SQUASHED GRAPES in Ventura, EDWIN MILLS in Pasadena and many more.

Barry’s trios and quartets have been popular for special events such as the HOLLYWOOD ANNIE AWARDS at Royce Hall, RIVIERA COUNTRY CLUB in Pacific Palisade, MARINA DEL RAY YACHT CLUB, PROJECT CUTTLE CELEBRITY EVENT in Long Beach , COLE’S REPEAL DAY celebration downtown Los Angeles and more.

Two CDs released as solo artist, JAZZ TIME  and SPEAK SOFTLY have recieved jazz radio air play in the USA and Europe. Barry also has thousands of YouTube hits as a jazz performer and educator.

Barry Mosley Links

Podcast Credits

Stephen Shires Trombone Interview – Trombone Corner #12

Stephen Shires – Trombone Interview

Welcome to the show notes for Episode #12 of the Trombone Corner podcast. This episode features trombonist and craftsman Stephen Shires.

Listen to or download the episode below:

About Stephen Shires

Steve Shires is best known in the brass world as the founder of the S. E. Shires Company, crafter of custom trombones and trumpets.  His passion for designing and building brass instruments grew from his love of playing the trombone.  Steve received his undergraduate degree in trombone performance from the University of Iowa, where he studied with John Hill and George Krem.  A true trombonist, he skipped theory class to apprentice as a brass repair technician at West Music Company in Iowa City and was soon developing his craft by converting old small bore tenor trombones into  alto trombones. While continuing his trombone studies in Chicago with legendary Chicago symphony brass section members Arnold Jacobs, Edward Kleinhammer, Frank Crisafulli, and Jay Friedman, he worked for the Schilke Music Company, learning the art of spinning brass instrument bells, as he absorbed the high standards of quality that Schilke represents.  In 1986, Steve and his wife Cathy relocated to Boston.  It was there that he gained much of his knowledge of the Horn, working for Osmun Brass Instruments, the nationally respected shop for horn repairs and restorations. It was here that Steve gained the invaluable experience of rebuilding valves, cutting bells, and restoring Geyer, Kruspe, Conn, and Paxman horns.

 Steve founded the S. E. Shires Company in 1995, and was president of the company for nearly 20 years, until its recent purchase by the Eastman Music Company.  In addition to running day to day operations, Steve was the primary bell spinner.  During Steve’s tenure, The S.E. Shires company was one of the few instrument makers that  spun its own bells, made its own valves, drew its own tubing, and used computer controlled lathes to machine all of its parts.

In 2015 Steve and his wife moved to their new home in Vermont, where Steve combined his vast  experience designing and building world-class trombones and trumpets with his years as a horn technician to create the ultimate horn. He crafted his first Geyer model horn in 2017 and has been improving on the designs since then. The Series II Stephens horn, featuring a unique custom wrap that marries the best qualities of the Geyer and Schmidt models was introduced in 2019.

Stephen Shires Links

Podcast Credits

Timothy Higgins Trombone Interview – Trombone Corner #11

Timothy Higgins – Trombone Interview

Welcome to the show notes for Episode #11 of the Trombone Corner podcast. This episode features principal trombone of the San Francisco Symphony, Timothy Higgins.

Listen to or download the episode below:

About Timothy Higgins

Timothy Higgins was appointed to the position of Principal Trombone of the San Francisco Symphony by Michael Tilson Thomas in 2008. He was previously the acting Second Trombonist with the National Symphony Orchestra in Washington, DC.  Mr. Higgins, a Houston native, has a Bachelor’s degree in Music Performance from Northwestern University and has performed with the Chicago Symphony, New York Philharmonic, Milwaukee Symphony, Virginia Symphony, Civic Orchestra of Chicago, Music of the Baroque, Aspen Music Festival, Grand Teton Music Festival, Sun Valley Summer Symphony, Washington National Opera, and Baltimore Symphony.  His principal teachers have been Michael Mulcahy (Chicago Symphony), Michael Warny (Houston Grand Opera), and Royce Landon (Des Moines, Iowa).  He has participated in music festivals with the Roundtop Music Festival, the National Repertory Orchestra, and the Tanglewood Music Center.

Along with a busy orchestra career, Timothy Higgins is a sought after arranger of music.  He was the sole arranger of the National Brass Ensemble’s Gabrieli recording. Additionally, he has arranged music for CT3 Trombone Quartet, National Brass Quintet, Bay Brass, and the San Francisco Conservatory of Music Brass Ensemble.  Timothy Higgins has also composed works for brass instruments in solo and chamber settings. His arrangements and compositions have been performed by the Washington Symphonic Brass, the Bay Brass, the San Francisco Symphony brass section, the Chicago Symphony brass section, the Los Angeles Philharmonic brass section, and numerous university brass ensembles. His arrangements and original compositions are available through his publishing company, 415Music.

As a teacher, Timothy been a faculty member of the Pokorny Seminar since 2012, and is currently on faculty at the San Francisco Conservatory of Music and Northwestern University. He has also led masterclasses in Japan, China, Canada and the United States, including classes at the Royal Conservatory in Toronto, the New World Symphony, Vanderbilt University, the Manhattan School of Music, and the Juilliard School of Music.

In 2005, Timothy won the Robert Marsteller Solo trombone competition, as well as the ITA Trombone Quartet competition with CT3.  While attending the Tanglewood Music Center, Mr. Higgins was awarded the Grace B. Upton Award for Outstanding Fellow. In 2013, Timothy released his solo CD, Stage Left.

Timothy Higgins Links

Podcast Credits

Christian Lindberg Trombone Interview – Trombone Corner #10

Christian Lindberg – Trombone Interview

Welcome to the show notes for Episode #10 of the Trombone Corner podcast. This episode features trombonist, conductor, and composer, Christian Lindberg.

Listen to or download the episode below:

About Christian Lindberg

In September 2015 Christian Lindberg was voted “THE GREATEST BRASS PLAYER IN HISTORY, by the worlds biggest classical radio station CLASSICFM, and on the 1st of April Christian Lindberg was given  “International Classical Music Award 2016” at the Gala Ceremony in in San Sebastian, Spain. Previous winners were Esa-Pekka Salonen (2011), Krzysztof Penerecki (2012). Charles Dutoit (2013), Aldo Ciccolini (2014) and Dmitri Kitajenko (2015).On top of this Christian has just signed a 5 year Music Director contract with Israel Netanya Kibbutz Orchestra, rated by Israeli Council of Art and Culture, side by side with Israel Philharmonic as the best orchestra in the country. Christian Lindberg’s achievements for the trombone can only be compared with those of Paganini for the violin or Liszt for the piano.

Having premiered over 300 works for the trombone (over 90 major concertos) recorded over 70 solo CDs, having an international solo competition created in his name, been voted brass player of the 20th century side by side with Miles Davis and Louis Armstrong, Christian Lindberg is today nothing less than a living legend.

On top of his unrivaled career as a trombonist Lindberg has now also embarked on a highly successful conducting career, and the near future includes major conducting engagements in Musikverein, Suntory Hall, at Beethovenfest, in Salzburg Festspielhaus, Tonhalle Düsseldorf, Meistersingerhalle, Nürnberg and National Centre for the Performing Arts (The Giant Egg) in Beijing with orchestras such as Nippon Yomiuri Symphony Orchestra, Beijing Symphony Orchestra, Royal Liverpool Philharmonic, Royal Flemish Philharmonic, Royal Stockholm Philharmonic, New Zealand Symphony, Düsseldorfer Symphoniker, Irish National Philharmonic and Ulster Orchestra to name a few.

In 2009 Lindberg signed contract as principal conductor with his third orchestra, The Norwegian Arctic Philharmonic Orchestra (the two previous ones being Nordic Chamber Orchestra 2004-2011 and Swedish Wind Ensemble 2005-2012). Since then he has prolonged his contract twice and their collaboration runs for the moment up to 2017 including major recording projects on BIS (Tchaikovsky Symphonies no 4-6 among other things), a major tour throughout Japan and performances at Beethovenfest, Musikverein and Salzburg Festspielhaus.

Alongside his activities as principal conductor Lindberg has major conducting collaborations with Norrköping Symphony Orchestra (performing and recording all the symphonies by Allan Pettersson), Royal Flemish Philharmonic(a major project performing and recording music by Stenhammar), The Royal Liverpool Philharmonic (a second major conducting residency in 2016), Nürnberger Symphoniker (various projects including music by Lindberg himself, Allan Pettersson, Grieg, Högberg, Tchaikovsky and Beethoven), The Swedish Chamber Orchestra (music by Lindberg, Schubert, Ginastera, Bizet and Andrea Tarrodi), Ulster Orchestra (music by Lindberg, Dvorak, Nielsen, Grieg and Sibelius), RTÉ National Symphony Orchestra of Ireland (music by Tchaikovsky, Lindberg, Sibelius, and Sandström) and Taipei Symphony Orchestra (Bernstein, Lindberg, Tchaikovsky and Pettersson.

Lindberg also conducts orchestras such as the Nippon Yomiuri Symphony Orchestra, Beijing Symphony Orchestra, ,Rotterdam Philharmonic Orchestra, Verdi Orchestra Milano, Swedish Radio Symphony Orchestra, Gürzenich-Orchester Köln, Liverpool Philharmonic Orchestra, Royal Stockholm Philharmonic Orchestra, Malmö Symphony Orchestra, Deutsche Staatsphilharmonie, Extremadura Orchestra, Umeå Symphony Orchestra, Tiroler Symphonieorchester, Het Noord Nederland Orkest, Het Gelders Orkest, Stuttgart Radio Orchestra, Poznan Symphony Orchestra, Danish Radio Symphony Orchestra, Jenaer Philharmonie, Jyväskyllä Symphony Orchestra, Oulu Symphony Orchestra, Euscadi Orchestra, Maggio Fiorentino, Haydn Orchestra Bolzano, Northern Sinfonia, Helsinki Philharmonics, Lahti Symphony Orchestra, Cape Philharmonic, Aarhus Symphony Orchestra, Shanghai Opera Orchestra,  Iceland Symphony Orchestra, National Orchestra of Brazil, Württembergische Philharmonie, and Tenerife Symphony Orchestra  to name a few. 

As a composer Lindberg has been constantly busy with commissions since he wrote his first composition Arabenne for Trombone and Strings in 1997-98 as a pure experiment. Orchestras around the world have been queuing up, and he has composed over 50 works on commission from, among others, The Chicago Symphony Orchestra, The Rotterdam Philharmonic Orchestra, Hessische Rundfunk, Scottish Chamber Orchestra, Swedish Chamber Orchestra, Verdi Orchestra Milano, Royal Stockholm Philharmonic Orchestra, Trondheim Soloists, Sion Musik Festival, Nordland Musikfestuke, Vertavo Quartet, Vib’bone Duo, Sergio Carolino and the Wild Gang, Arctic Philharmonic Orchestra, Norrköping Symphony Orchestra, Bones Apart, Anders Wall Foundation, Hardanger International Music Festival and Share Music Sweden. Future commissions include a trombone concerto for the Taipei Symphony Orchestra, a 30 minute long orchestral piece commissioned by Düsseldorfer Symphoniker,  a trumpet concerto commissioned by the Swedish Chamber Orchestra and Västerås Sinfonietta and a concerto for Evelyn Glennie, Christian Lindberg and orchestra commissioned by the Cheltenham Festival.

Christian Lindberg’s own philosophy regarding his work as a composer is simple: “I do not write in any style whatsoever! I just listen to what my brain and my soul tell me, and what I hear I simply put down on paper. To say anything more about my work would be pretentious nonsense.”

Christian Lindberg Links

Podcast Credits