Nathan Samuelson – Trumpet Interview
Welcome to the show notes for Episode #74 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Nathan Samuelson.
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About Nathan Samuelson
If you ever have the opportunity to see Nathan Samuelson perform, prepare to be taken on a musical odyssey. His music is imbued with wanderlust —inspired by years at sea and a careful balancing act between new horizons and the love of home. Audiences are sonically teleported to the tropical shores of Brazil, the cosmopolitan streets of New York, and the old world sophistication of Europe. Despite the many nautical miles he’s logged, his music maintains the wholesome honesty of his prairie boyhood. That sweet earnestness and approachability is what turns audiences of strangers into loyal fans.
The youngest son of an esteemed trumpet player and band teacher father, as well as a gentle and beloved flautist/pianist mother, Nathan seemed predestined to play since birth. His passion for trumpet became evident as a small boy, when upon listening to “Feel So Good” by Chuck Mangione he proclaimed that no matter the obstacle he would become a world class trumpet player. On his musical pilgrimage, he has studied under master teachers such as Dominic Spera [Indiana University], and Terell Stafford [Temple University -Philadelphia]. A devotee of Clifford Brown, he attends the Clifford Brown Trumpet Consortium each summer, receiving a full scholarship in 2018.
Mentoring under international trumpeter and producer Gary Guthman, Nathan has developed a strong career as a guest entertainer on cruise ships. With a singing voice reminiscent of the crooners of yonder days, and the technical prowess and emotive ability on trumpet, Nathan brings a captivating and melodic sound to the stage.
He has graced stages in exotic locales such as Brazil, Croatia, Italy, Greece, France, Portugal, England, Spain and more. To add, he shared these stages with world class artists like late soul icon Clem Curtis [The Foundations] of “Build Me Up, Buttercup” fame. He has also performed with Leanne Mitchell, winner of the first series of The Voice UK, and international soul singer, Lloyd Wade. In his home community of Edmonton, Alberta he is often found volunteering his talent for children and youth, as well as people living with disability. When not volunteering, he can be found performing as a guest artist on cruise ships, and performing with his own quintet at various jazz festivals and corporate events.
After nearly twenty-two years of honing his craft and cultivating his passion, Nathan Samuelson launched his debut album City Lights Ahead [August 2018]. Inspired by his journey as a young man searching for love, for meaning, and for himself across the globe, City Lights Ahead is a brilliantly crafted, genre-bending love letter to the open sea, the close-knit family that uplifts him, and the starry embrace of the shore after a dark, stormy night.
Nathan Samuelson Links
Podcast Credits
- “A Room with a View“ – composed and performed by Howie Shear
- Audio Engineer – Preston Shepard at SC Sound Labs
- Cover Art – Phil Jordan
- Podcast Host – John Snell
Internationally acclaimed cross-genre trumpeter Niall O’Sullivan has performed all over the world, from orchestral playing to his solo theatre show. Niall has performed in some of the world’s most stunning venues throughout Ireland, Europe, Asia and the USA.
When the trumpet world got word of his growing profile as a performer and recording artist, Niall became a performing artist for Schilke Trumpets, Chicago exclusively. This relationship has seen Niall represent Schilke across the globe, from Dublin to Los Angeles.
Toru “Tiger” Okoshi was born in the Year of the Tiger on March 21 1950, just outside of Osaka (Ashiya city, Hyogo) As a child he was, in fact, devoted to painting as he loves today. At 13, he had an enlightening experience to see Louis Armstrong Perform live in Osaka, Japan, only 6 months after he begun to play the trumpet. ”He was painting the air with his trumpet” recalls Okoshi. Today, Okoshi often describes the relationship with his horn: “When I play, I want to paint the air with my colorful tone. Choices between long or short strokes, quick or slow, high in the canvas or low, brighter color or darker, with a fat brush or a pen. Paint the air one note at a time.”
Tiger, who loves sports, was invited to perform “The Star Spangled Banner” at the opening game of the 2007 season between Boston Red Sox and New York Yankees at Fenway Park, as well as the playoff games in 2007 and 2008. Tiger’s trumpet was surrounded by 20 trumpets, 10 trombones and 7 Japanese Taiko drummers playing his original arrangement. In 1997, Tiger recorded a CD entitled “Hustle Tigers” for Japanese major league baseball team Hanshin Tigers.
Philip Smith joined the New York Philharmonic as Co-Principal Trumpet in October 1978, and assumed the position of Principal Trumpet in June 1988. His father, Derek Smith, a renowned English cornet soloist, provided his early training. He is a graduate of The Juilliard School, having studied with Edward Treutel and William Vacchiano, former Principal Trumpet of the New York Philharmonic. In January 1975, while still at Juilliard, Sir Georg Solti appointed Mr. Smith to the Chicago Symphony Orchestra.
Mr. Smith has also appeared with many symphonic wind ensembles, including the US “President’s Own” Marine Band, the West Point Academy Band, the US Army TRADOC Band, the US Coast Guard Band, La Philharmonie des Vents des Quebec and many major university wind ensembles. He appeared at The College Band Directors National Association Convention in Austin, Texas, for the world premiere of Turrin’s Chronicles (1999) with the University of New Mexico Wind Ensemble. A subsequent recording of Chronicles was produced which included the world premiere of Stephen Gryc’s Evensong (2000) and Turrin’s Fandango (2000). Alfred Cohen’s “curls of motion” was premiered in 2008 with the Columbus State University Wind Ensemble. Aaron Kernis’ a Voice, a Messenger was premiered in 2013 with the University of Illinois Wind Ensemble.
In 2005, Mr. Smith was made an Honorary Member of the Royal Academy of Music (Hon RAM). In 2006, Mr. Smith was given the International Trumpet Guild Honorary Award.As a member of the Principal Brass Quintet, Mr. Smith has toured Japan four times, as well as Brazil and Germany. He has also performed and recorded with the Canadian Brass, Empire Brass, Chamber Music Society of Lincoln Center, Bargemusic, and New York Virtuosi Chamber Symphony. His solo recordings include Contest Solos produced by the International Trumpet Guild; Fandango, featuring New York Philharmonic Principal Trombonist Joseph Alessi and the University of New Mexico Wind Symphony (Summit); My Song of Songs with the New York Staff Band of The Salvation Army (Triumphonic); Copland’s Quiet City (Deutsche Grammophone); New York Legends (CALA); Orchestral Excerpts for Trumpet (Summit); Ellen Taaffe Zwilich’s Concerto for Trumpet and Five Instruments (New World); Bach’s Brandenburg Concerto No. 2 (Koch); Walton’s Facade (Arabesque); and The Trump Shall Resound and Repeat the Sounding Joy(Heritage).