Aubrey Logan – Trombone Interview
Welcome to the show notes for Episode #6 of the Trombone Corner podcast. This episode features trombonist, singer & songwriter, Aubrey Logan.
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About Aubrey Logan
She’s a singer. She’s a trombone player. She’s a songwriter. She’s a performer.
It would have been a lot easier if Aubrey Logan would have just picked one. But she’s never been one to be pigeon-holed. She lives her life outside the box and that makes her difficult to define. And that’s OK with her because she purposely defies definition.
Her Top 5 debut album in 2017 helped establish her as one of the premier young singer-instrumentalists in the country. Her participation in Dave Koz’ #1 album, Summer Horns in 2018 helped cement her position. But it was her own #1 album in 2019 that really helped Aubrey Logan become a household name with music aficionados around the world. Because it was that album, Where the Sunshine is Expensive, that showed the depth of songwriting that she’s capable of.
In between her recording commitments, Logan finds time to share the stage with Alabama Shakes and Meghan Trainor and Pharrell Williams and Josh Groban and Dave Koz and The Commodores and Boston Pops at venues as diverse as Ronnie Scott’s famous jazz club in London to the expansive Hollywood Bowl in Los Angeles. She’s appeared on Jimmy Kimmel and the Grammys’ Award Show and ABC’s The Goldbergs. She’s recorded a duet with her childhood hero, Gloria Estefan. She’s won multiple awards at the Montreux Jazz Festival. She’s beloved by not just the dedicated fans of Postmodern Jukebox, but she considers the creator, Scott Bradlee, and her colleagues within the collective her true friends. And she loves performing. But it’s in her writing that we find out who Aubrey Logan really is.
Her title track, LA revealed to the world just how difficult it is to be an artist living in the biggest entertainment town on the planet. She opened up her soul in the song, Understand. She gave us songs that told us how much travel takes its toll and songs that tell us what’s truly important in a world that glorifies superficiality. She even takes us back a few decades with some retro songs that ask us to remember what it was that first captured our imagination on the radio.
But mostly, Ms. Logan has finally given us a glimpse into the complexity of the mind of the artist. She’s still known as a world-class singer-instrumentalist. But she’s revealed that there’s so much more. Aubrey continues to headline sold-out shows and festivals. She continues to wow the crowds at symphony dates all over the world and she touches us in those rare intimate club shows. And with her latest album, we now discover that “The Queen of Sass” has depths to which we would never have imagined.
Aubrey Logan Links
Podcast Credits
- Theme Music: The Trombone Choir Arrangements of Jay Friedman, Vol. 1
- Audio Engineer – Preston Shepard at SC Sound Labs
- Cover Art – Frank Gladstone
- Podcast Hosts – Noah Gladstone & John Snell
Los Angeles Philharmonic in 2006 after 32 years as principal trombonist. Previously, he spent six years as principal with the Toronto Symphony. During that time, he also served as principal trombonist for the Canadian Opera and the Canadian Broadcasting Corp., and was a faculty member at the University of Toronto. A native of Philadelphia, he is a graduate of the Eastman School of Music, where he studied with Emory Remington.
Bob‘s training included four great teachers, Don Kimble, Jeff Reynolds, Robert Simmergren and Roy Main; they have made all the difference! His professional career began at the age of twenty with the Disneyland Band where he stayed three years. It was a de facto apprenticeship, working day in and day out with 15 experienced professional musicians. Thereafter he stayed busy performing hither and yon in the greater Los Angeles area, including 30 years with Pacific Symphony, 24 years as a founding member of the Hollywood Bowl Orchestra, 22 seasons with Opera Pacific, 12 years in the Composers Brass Quintet, and of course, a decade or so in Hoyt Bohannon’s garage on Tuesday nights.
Jay Friedman attended Yale University on scholarship and majored in composition at Roosevelt University. After four years with the Civic Orchestra of Chicago and two years with the Florida Symphony, he joined the Chicago Symphony Orchestra in 1962 and was appointed principal trombone in 1964. He has soloed with the CSO on several occasions, including a concerto by Ellen Taaffe Zwilich.
Friedman’s conducting career has included guest appearances with orchestras around the world, including the Orchestra of the Italian Radio (RAI), the Malmo Symphony, and the Chicago Symphony Orchestra’s annual donor concerts. In April 2005, he conducted three concerts with the Santa Cecilia Orchestra of Rome. In March 2006, he conducted the Civic Orchestra of Chicago in a public master class of Mahler’s Fifth Symphony at Symphony Center, and in May 2007 he conducted the RAI orchestra in Italy with Daniel Barenboim as piano soloist.
Martin appeared as teacher and soloist on festivals such as the International Trombone Festival, Korean Trombone Symposium, Dutch Bass Trombone Open, Festival do Campos Jordao Brazil, Costa Rica Trombone Festival, Thailand Trombone Festival, Jeju International Wind Ensemble Festival, Sesc International Music Festival Pelotas Brazil, IPV Festival, Lätzsch Trombone Festival, Curso Trombon de Valga in Spain amongst others and taught masterclasses at major universities in USA, Europe, Australia and Asia.
David Rejano is the principal trombone of the Los Angeles Philharmonic Orchestra since 2016. Before that, he served as Principal Trombone with the Orquestra Sinfonica de Navarra from 2002 to 2007, Principal Trombone with the Orquestra del Gran Teatro del Liceo de Barcelona (Barcelona Opera House) from 2007 to 2010, and Principal Trombone with the Münchner Philharmoniker from 2010 to 2016.
David Rejano (1982) was born in Badajoz /Spain/, and initially studied music at the Conservatory in Madrid. Then he moved to the Conservatoire National Supérieur de Musique et de Danse de Paris, with professor Gilles Millière, where he graduated with the “Diplôme de Formation Supérieur – Mention très bien à l’unanimité” and the “Prix Spécial du Jury”. He was a member of the European Union Youth Orchestra -EUYO- and the West-Eastern Divan Orchestra -WEDO- (with Daniel Barenboim and Pierre Boulez).