Julie Pilant Horn Interview
Welcome to the show notes for Episode #11 of Horn Signal! This episode features an interview with hornist Julie Pilant, formerly of the Met, now with Utah Symphony.
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About Julie Pilant
Julia Pilant is currently the acting 3rd horn for the Utah Symphony/Utah Opera, and a regular guest with the Los Angeles Chamber Orchestra horn section and the Chamber Music Society of Lincoln Center. Previously, she was the assistant principal horn for the Metropolitan Opera Orchestra for 14 years and a horn instructor for the Bard College Conservatory of Music for 16 years. Prior to holding those positions, she was the principal horn of the Syracuse Symphony Orchestra for 10 years. Ms. Pilant also freelanced for several decades in New York City and performed regularly with Orpheus Chamber Orchestra, Orchestra of St. Luke’s, New York City Ballet, and numerous Broadway shows. She has played principal horn for the Saito Kinen/Ozawa and Tokyo Opera Nomori music festivals, the Mito Chamber Orchestra in Japan, and has participated in the Santa Fe Chamber, Affinis (Japan), Sarasota, Festival Napa Valley, Classical Tahoe, Strings, Mainly Mozart, and La Jolla Music Society Summerfest music festivals. In 1994 she won the American Horn Competition. As an equally enthusiastic music educator, she has given masterclasses in schools and festivals across the country, including The Juilliard School, USC, Interlochen Arts Camp, and the Boston University Tanglewood Institute, and is a founding member of the recently formed Coalition of Musicians for Ethical Change. Ms. Pilant received her Bachelor’s degree from Eastman School of Music (student of Verne Reynolds), and her Master’s and Doctoral degrees from The Juilliard School (student of Julie Landsman).
Julie Pilant Links
Podcast Credits
- “Haydn Symphony #31 “Horn Signal““, “Hornpipe” Water Music by Handel and “Elsa’s Procession to the Cathedral” from Wagner’s Lohengrin
- Audio Engineer – Preston Shepard
- Cover Art – Meg Ryia
- Podcast Hosts – John Snell and Preston Shepard
With over 1,500 credits in film, television and recording, USC graduate Phillip Yao has worked with many of the world’s top composers and musicians including John Williams, James Horner, Michael Giacchino and Jerry Goldsmith.
David Everson, retired Assistant Principal Horn of the Detroit Symphony Orchestra, joined the DSO in 1999 after serving as Principal Horn of the Kansas City Symphony for 13 years. A Michigan native and student of Louis Stout at the University of Michigan, he has also performed as guest Principal with ensembles including the Los Angeles Philharmonic, National Symphony, and St. Paul Chamber Orchestra. Everson is active as a studio musician in Los Angeles, where he has recorded more than 150 film scores, and he continues to perform with the Naples Philharmonic and freelance in LA.
