The Boom Trumpet Mouthpiece
We are excited to announce the Dan Rosenboom Signature Model trumpet mouthpiece. The “Boom” trumpet mouthpiece combines the artistry of Dan Rosenboom with the acoustical design and manufacturing of Bob Reeves Brass. After months of design, testing, and revisions, we have created a mouthpiece that responds so quickly, you forget it is there.
”“With the Boom mouthpiece, the Bob Reeves team has achieved a fantastic blend of warmth, clarity, flexibility, precision, and versatility. The modern trumpet player is expected to move seamlessly through a variety of styles and contexts, and this mouthpiece offers a huge range of sonic possibilities with very efficient and consistent response. I think we’ve arrived at a design that gives a player maximum creative flexibility and is a joy to play!”
Dan Rosenboom
BOOM TRUMPET MOUTHPIECE SPECIFICATIONS
RIM
The BOOM trumpet mouthpiece is available with any of the Bob Reeves Brass rims. Dan’s personal mouthpiece is made using our Classical Series 6C rim.
Cup
The Boom mouthpiece features a medium-deep, conical shaped cup with a modified entrance to the throat.
Backbore
The backbore is newly designed to maximize response, articulation, flexibility and warmth in the tone. It is well-balanced in all registers creating an even response and quick articulation.
Other options
Dan’s personal mouthpiece is converted for sleeves with a #4.5 sleeve, however, it may be ordered with either a standard solid shank or converted for sleeves.
ABOUT DAN ROSENBOOM
Dan Rosenboom is an internationally recognized trumpet player, composer, and producer. He is known as a prolific member of the Los Angeles creative music scene, having released more than 25 albums of original music as a solo artist and bandleader and has supported over 60 artists across nearly 90 releases on his label, Orenda Records. Rosenboom frequently performs in Hollywood Studios for major film and television soundtracks, highlighted by the latest Star Wars trilogy, with such notable composers as John Williams, Danny Elfman, James Newton Howard, Alan Silvestri, and Alexandre Desplat. He has also performed often with such elite ensembles as the LA Philharmonic, the LA Chamber Orchestra, and the LA Opera. His own music eschews genre distinctions and draws from such disparate influences as jazz and Black American Music, metal and experimental rock, contemporary classical music, folk music from around the globe, and a broad range of progressive music from the avant-garde. He studied at the Eastman School of Music, CalArts, and UCLA, where he earned advanced degrees in music. The Los Angeles Times has called Dan Rosenboom “a musician dedicated to exploration and expression, regardless of anyone’s imagined boundaries,” and “a phenomenon.”
As a composer, Rosenboom has been recognized with grants and awards from the American Composers Forum, ASCAP, the Meet the Composer Foundation, and the Yvar Mikhashoff Trust for New Music. As a bandleader, he has brought his music to such renowned stages as the Monterey Jazz Festival, Angel City Jazz Festival, Jazzfestival Saalfelden and Jazz em Agosto. Working closely with LA icon Vinny Golia, and with his own Balkan jazz-rock group PLOTZ!, and improv band DR. MiNT, as well as many other projects, Rosenboom has solidified his place as a pillar in LA’s music community.
Rosenboom’s iconoclastic protest band Burning Ghosts has drawn international attention for their rousing blend of experimental jazz, punk, and metal as response to modern socio-political ills. To date they have released four albums, including one on John Zorn’s legendary Tzadik label, and have toured in the US and Europe. In a review of their self-titled debut, Something Else Reviews dubbed them “the Rage Against the Machine of jazz.”
Rosenboom is an advocate for progressive music education. He currently teaches at UCLA and Pasadena City College, and his own pedagogy book, The Boom Method: Universal Fundamentals for Trumpet and Other Instruments, Vol. 1, was published by Balqhuidder Music in 2019. His writing has also been published in John Zorn’s Arcana IX: Musicians on Music on Tzadik.
Philip Lassiter is an 11-time Grammy award winning horn/string arranger, and former section leader/arranger of Prince and the New Power Generation.
Steve Shires is best known in the brass world as the founder of the S. E. Shires Company, crafter of custom trombones and trumpets. His passion for designing and building brass instruments grew from his love of playing the trombone. Steve received his undergraduate degree in trombone performance from the University of Iowa, where he studied with John Hill and George Krem. A true trombonist, he skipped theory class to apprentice as a brass repair technician at West Music Company in Iowa City and was soon developing his craft by converting old small bore tenor trombones into alto trombones. While continuing his trombone studies in Chicago with legendary Chicago symphony brass section members Arnold Jacobs, Edward Kleinhammer, Frank Crisafulli, and Jay Friedman, he worked for the Schilke Music Company, learning the art of spinning brass instrument bells, as he absorbed the high standards of quality that Schilke represents. In 1986, Steve and his wife Cathy relocated to Boston. It was there that he gained much of his knowledge of the Horn, working for Osmun Brass Instruments, the nationally respected shop for horn repairs and restorations. It was here that Steve gained the invaluable experience of rebuilding valves, cutting bells, and restoring Geyer, Kruspe, Conn, and Paxman horns.
A native of Dallas, Texas, Philharmonic trumpeter Boyde Hood received his BM degree in trumpet performance from the Eastman School of Music and master of music degree in theory and composition from Ball State University. He is a member of the Los Angeles Philharmonic and performs regularly with the Philharmonic’s New Music Group and the Philharmonic Brass Trio. Mr. Hood has played principal trumpet with the Los Angeles Chamber Orchestra, Royal Ballet and American Ballet Theater and has recorded extensively for major motion picture and television studios. He has been a member of the Dallas and Milwaukee Symphonies, assistant principal of the Rochester Philharmonic, and first trumpet with the Marlboro Festival Orchestra.
Since his retirement from the LA Philharmonic and USC, Boyde taught at the Eastman School of Music for one Semester, has resumed his compositional activities, and continues to teach privately from his home and on Zoom.
Timothy Higgins was appointed to the position of Principal Trombone of the San Francisco Symphony by Michael Tilson Thomas in 2008. He was previously the acting Second Trombonist with the National Symphony Orchestra in Washington, DC. Mr. Higgins, a Houston native, has a Bachelor’s degree in Music Performance from Northwestern University and has performed with the Chicago Symphony, New York Philharmonic, Milwaukee Symphony, Virginia Symphony, Civic Orchestra of Chicago, Music of the Baroque, Aspen Music Festival, Grand Teton Music Festival, Sun Valley Summer Symphony, Washington National Opera, and Baltimore Symphony. His principal teachers have been Michael Mulcahy (Chicago Symphony), Michael Warny (Houston Grand Opera), and Royce Landon (Des Moines, Iowa). He has participated in music festivals with the Roundtop Music Festival, the National Repertory Orchestra, and the Tanglewood Music Center.
Along with a busy orchestra career, Timothy Higgins is a sought after arranger of music. He was the sole arranger of the National Brass Ensemble’s Gabrieli recording. Additionally, he has arranged music for CT3 Trombone Quartet, National Brass Quintet, Bay Brass, and the San Francisco Conservatory of Music Brass Ensemble. Timothy Higgins has also composed works for brass instruments in solo and chamber settings. His arrangements and compositions have been performed by the Washington Symphonic Brass, the Bay Brass, the San Francisco Symphony brass section, the Chicago Symphony brass section, the Los Angeles Philharmonic brass section, and numerous university brass ensembles. His arrangements and original compositions are available through his publishing company, 415Music.
In 2005, Timothy won the Robert Marsteller Solo trombone competition, as well as the ITA Trombone Quartet competition with CT3. While attending the Tanglewood Music Center, Mr. Higgins was awarded the Grace B. Upton Award for Outstanding Fellow. In 2013, Timothy released his solo CD, Stage Left.
James Morrison is, by anybody’s standard, a virtuoso in the true sense of the word. Besides the trumpet, this multi-instrumentalist also plays piano, all the brass, saxophones, and double bass.
James has been appointed a member of The Order of Australia, he is a Doctor of the University at Queensland Conservatorium of Music and has received a Doctor of Music from the Edith Cowan University Western Australia and the University of Adelaide. He is an Adjunct Professor at the University of South Australia and Vice-Chancellor’s Professorial Fellow. In 2015 James founded his own academy of music in Mount Gambier, South Australia. The James Morrison Academy of Music @ UniSA is an innovative school dedicated to teaching jazz and offering both a Bachelor Degree and post graduate programs. This exciting initiative involves educators from all over the world, transforming young musicians’ lives with inspiration and a love of jazz. In 2017, the JMA partnered with The Juilliard School in New York City to offer an exclusive Honours Program.
Highlights of 2016 included a recording at Abbey Road Studios with the BBC Concert Orchestra for international release, sold out performances at the Prague Proms, Berlin Philhamonie, Budapest Music Centre and the Lionel Hampton Club in Paris, two sell-out return performances at Ronnie Scott’s Jazz Club in London, two Australian tours, two European tours, a season with the Sydney Symphony Orchestra, a hugely successful solo tour all over the USA including the Miami Beach Jazz Festival, the Newport Beach Jazz Party, performances with John Clayton, Jeff Hamilton and the One O’Clock Lab Band and, of course, International Jazz Day at the White House with the President of the United States.
Besides everything trumpet Steve”s passions are marathon open water (OCEAN) swimming, and the daunting task of traing his dog Dingoe. He currently resides in San Diego, California, USA, with his wife and two children where he manages 
Born in Lancashire, England and raised in Perth, Western Australia, Adrian Kelly began playing trumpet at the age of six. He has gone on to build an international career as a multi-faceted musician; performing, recording, and writing pop, classical, and jazz music. Adrian is currently engaged in PhD research at Edith Cowan University (Perth, Western Australia). He has served on the board of the Australian Trumpet Guild since 2019, and on the board of JazzWA since 2018.
2020 sees the release of two releases: Visions a suite of pieces for improvising quartet written to accompany the visual art of Robert John Kelly (Adrian’s father), and Cry, “Wolf!” an album of music featuring an artificial intelligence ‘improviser’ along with an electric jazz quartet. All of Adrian’s music is available through iTunes and other digital platforms, and through links provided on his website.
Adrian has delivered classes in jazz music and trumpet at Edith Cowan University, The University of Western Australia (Australia), and the Hong Kong Institute of Education (China). He has presented masterclasses to students at Lasalle College (Singapore), the Hong Kong Institute of Education, ShangHai Conservatory of Music, XingHai University, and Harbin Teacher Training College (China), and at independent venues in
In September 2015 Christian Lindberg was voted “THE GREATEST BRASS PLAYER IN HISTORY, by the worlds biggest classical radio station CLASSICFM, and on the 1st of April Christian Lindberg was given “International Classical Music Award 2016” at the Gala Ceremony in in San Sebastian, Spain. Previous winners were Esa-Pekka Salonen (2011), Krzysztof Penerecki (2012). Charles Dutoit (2013), Aldo Ciccolini (2014) and Dmitri Kitajenko (2015).On top of this Christian has just signed a 5 year Music Director contract with Israel Netanya Kibbutz Orchestra, rated by Israeli Council of Art and Culture, side by side with Israel Philharmonic as the best orchestra in the country. Christian Lindberg’s achievements for the trombone can only be compared with those of Paganini for the violin or Liszt for the piano.
On top of his unrivaled career as a trombonist Lindberg has now also embarked on a highly successful conducting career, and the near future includes major conducting engagements in Musikverein, Suntory Hall, at Beethovenfest, in Salzburg Festspielhaus, Tonhalle Düsseldorf, Meistersingerhalle, Nürnberg and National Centre for the Performing Arts (The Giant Egg) in Beijing with orchestras such as Nippon Yomiuri Symphony Orchestra, Beijing Symphony Orchestra, Royal Liverpool Philharmonic, Royal Flemish Philharmonic, Royal Stockholm Philharmonic, New Zealand Symphony, Düsseldorfer Symphoniker, Irish National Philharmonic and Ulster Orchestra to name a few.
Lindberg also conducts orchestras such as the Nippon Yomiuri Symphony Orchestra, Beijing Symphony Orchestra, ,Rotterdam Philharmonic Orchestra, Verdi Orchestra Milano, Swedish Radio Symphony Orchestra, Gürzenich-Orchester Köln, Liverpool Philharmonic Orchestra, Royal Stockholm Philharmonic Orchestra, Malmö Symphony Orchestra, Deutsche Staatsphilharmonie, Extremadura Orchestra, Umeå Symphony Orchestra, Tiroler Symphonieorchester, Het Noord Nederland Orkest, Het Gelders Orkest, Stuttgart Radio Orchestra, Poznan Symphony Orchestra, Danish Radio Symphony Orchestra, Jenaer Philharmonie, Jyväskyllä Symphony Orchestra, Oulu Symphony Orchestra, Euscadi Orchestra, Maggio Fiorentino, Haydn Orchestra Bolzano, Northern Sinfonia, Helsinki Philharmonics, Lahti Symphony Orchestra, Cape Philharmonic, Aarhus Symphony Orchestra, Shanghai Opera Orchestra, Iceland Symphony Orchestra, National Orchestra of Brazil, Württembergische Philharmonie, and Tenerife Symphony Orchestra to name a few.