Dontae Winslow Trumpet Interview – The Other Side of the Bell #69

Dontae Winslow – Trumpet Interview

Welcome to the show notes for Episode #69 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Dontae Winslow.

Listen to or download the episode below:

About Dontae Winslow

Dontae Winslow is one of the most versatile in-demand trumpeter/arranger/composers on the Hollywood music scene. His trumpet/arranging/songwriting can be heard on classics such as Kanye West’s grammy winning “We Major” from the multi-platinum Late Registration, Jayz’s “I Made it”, Dr. Dre’s Compton Movie Soundtrack (where Dontae composed the iconic fanfare intro and played solos throughout the album). The Final track “Talking to My Diary” uses a 2minute jazz trumpet solo after Dre’s verse over a hiphop song which was Dontae’s 1st take. He also plays on Kendrick Lamar’s “County Building Blues”, Snoop Dog’s Ego Trippin, Aloe Blacc’s smash song “I’m the Man”, and Beyonce’s Huge Ego among countless other hits. He has toured in the band of Justin Timberlake since 2013 where he performs in the Netflix Movie “JT & The Tennessee Kids. Dontae has performed in front of millions in the 2020 Experience World tour, Legends of Summer World Tour, and Man of The Woods World Tour. He has alo been on the bands of Lady Antebellum (You Look Good), D’angelo (Vodoo), Kamasi Washington, Raphael Saadiq, Lauryn Hill, Jill Scott, and most recently has been the arranger, orchestrator, and Music director for Queen Latifah.

Dontae has played trumpet on countless TV shows such as the Soul Train Awards, BET Awards, HipHop Awards, MTV Awards, BET HONORS, the NAACP Image Awards, Jimmy Kimmel, Jimmy Fallon, SNL, Trumpet Awards, McDonalds 365 Awards, American Idol, The Voice, The Masked Singer, and The Four. His first scoring stage session was for “Mall of America” by composer Jacob Yoffee for the largest inside mall ride in America with Trumpeters Jon Lewis and Tom Hooten. His jazz trumpet playing can be heard on the new release by Kamasi Washington called “Heaven and Earth”.

Dontae has over 10 artist albums on his indy label Winslowdynasty among them are: Dontae Winslow “Ballads” feat Roy Hargrove, Dontae Winslow “EnterThe Dynasty” feat Questlove, Dennis Chambers, Brian Frasier-Moore, Adam Blackstone, and Chick Corea, Winslowdynasty “The Life Album” feat his wife Mashica, and Change a Life Change The World his award winning kids album.

After touring with JT Dontae released a summer party anthem sure to get you moving entitled “Shit Yeah” with him producing the TNkids live band along with analog synths and sing rapping the verse/choruses.

His new work “Trumpet And A Mic”, available everywhere, is a short film he directed, orchestrated, and composed music for about his life and overcoming obstacles while turning pain into redemptive power through faith.

Dontae started trumpet at age 10 but due to bad public school teachers had many embouchure changes in middle and high school and a hard start at getting the trumpet to work Good physically for him. He formed his interest in the middle band of a sax player Richard Burns and learned to play by ear. In high school

His first private lessons were with Jari Villanueva, then continued trumpet and learned to read music from Carolyn Foulkes in high school. At The New School Dontae studied with Roy Hargrove who would become a life musical mentor until his passing. In college at the Peabody Conservatory of the Johns Hopkins University Dontae studied with Wayne Cameron for undergrad, and Langston Fitzgerald III for graduate in classical trumpet performance. He has always had great jazz lessons from Maryland based jazz giant trumpeter Tom Williams and has been mentored by Jon Faddis and Wallace Roney. As a recipient of the Thelonious Monk Institute of Jazz Fellowship at USC Dontae studied jazz trumpet, composition, and film scoring with jazz legend trumpeter/composer Terence Blanchard. Also at USC he studied with jazz legend Bobby Shew, string arranger Jeremy Lubbock, Studio trumpet legend Gary Grant, and Gospel Composer Margaret Douroux.

Dontae has composed music for the feature films : “In The Hive” by director Robert Townsend starring Oscar Award winner Michael Clarke Duncan, and Loretta Divine, The New Edition Story for BET by director Chris Robinson. In 2019 Esquire magazine recently voted “Baltimore Rising “ HBO’s documentary about the riots in Baltimore, directed by Sonja Sohn, one of the Top Documentaries of All-Time. “Baltimore Rising” explored the tragic death of Freddie Gray by Police and a broken justice system. The film used Dontae’s talent as film composer, Trailer composer, and End Song title songwriter and Music Producer which is rare for this industry.

Dontae arranged string orchestra for Eminem’s Coachella performance with Dr.Dre in 2017. He also arranged live string arrangements for Eminem’s MTV EURO’s premiere of “Walk On Water” as well as his SNL performance of Walk on Water, Stan, and Love The Way You Lie.

Dontae arranged “Suit N Tie” with full 300 piece marching band for Justin Timberlake in his Superbowl 52 performance. In an epic performance in 2019 Dontae arranged strings for Mary J. Blige’s lifetime achievement award on BET. He has been awarded the John Lennon International songwriting contest for winner Children’s music. Recently Dontae composed the music for Michelle Obama’s “Note To Self” on CBS by Gayle King.

Dontae has produced songs for platinum artists Snoop, Dr. Dre, Avant, Mary Mary, and Keyshia Cole. As an arranger he has orchestrated/arranged and played trumpet in the show for Queen Latifah’s debut concert with the Boston Pops, and recently their 2019 Fourth of July Summer Holiday Concert series. Dontae is influenced by all styles of music especially European classical composers Shostakovich, Mahler, Stravinsky, Rachmaninoff and Chopin. In his playing you can hear his love for the soul and swag of Lee Morgan, the harmony of Woody Shaw, the pathos of Roy Hargrove, and the elegance of Miles Davis.

He designed his own custom trumpet the “Winslowdynasty Model” DWA6 model by Adams Instruments with Miel Adams and was featured on their international magazine cover.

In addition Dontae is a jazz improvisation, music production, film composing and performance clinician for such esteemed institutions as The Berklee School of Music, The Herbie Hancock Institute of Jazz, The Los Angeles Unified School District, and The Peabody Conservatory of The Johns Hopkins University.

Dontae is family man who has been married to his wife, artist/songwriter/singer Mashica Winslow for 20 blissful Years and they have two amazing kids.

Dontae Winslow Links

Podcast Credits

Niall O’Sullivan Trumpet Interview – The Other Side of the Bell #68

Niall O’Sullivan – Trumpet Interview

Welcome to the show notes for Episode #68 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Niall O’Sullivan.

Listen to or download the episode below:

About Niall O’Sullivan

Niall O'SullivanInternationally acclaimed cross-genre trumpeter Niall O’Sullivan has performed all over the world, from orchestral playing to his solo theatre show. Niall has performed in some of the world’s most stunning venues throughout Ireland, Europe, Asia and the USA.

Leading his own ensemble, Niall and his fellow musicians continue to dazzle the public and give them a fresh appreciation for the trumpet. Bach to Brecht, Handel to Hammerstien, Purcell to Piazzolla, there is no genre Niall will not tackle.

Niall and his wife, vocalist Shóna, have toured extensively in the USA with their hit show ‘My Funny Valentine’ selling out theatres to rave reviews.

Niall has performed live with some of the biggest names in the music business, Perry Como, Dionne Warwick, Curtis Stigers, Imelda May, The Pogues, Lalo Schifrin, Jose Carreras, Dame Kiri Te Kanawa, Sinead O’Connor, Michel Legrand and many more.

His latest album ‘Niall O’Sullivan and Friends’ was produced by Julian Lloyd Webber and Gavin Murphy. It features duets with opera star Danielle de Niese, four time ‘Grammy’ winning jazz guitarist Larry Carlton, theatre royalty Kim Criswell and two of Ireland’s finest vocalists, Emmet Cahill and Lisa Lambe. Accompaniment is provided by the RTÉ Concert Orchestra recently voted the ‘World’s Favourite Orchestra’ by Bachtrack and conductor David Brophy with arrangements by Gavin Murphy.

With a love of opera and the human voice, Niall O’Sullivan tries to emulate this passion when performing.

Niall O'Sullivan playing trumpetWhen the trumpet world got word of his growing profile as a performer and recording artist, Niall became a performing artist for Schilke Trumpets, Chicago exclusively. This relationship has seen Niall represent Schilke across the globe, from Dublin to Los Angeles.
Niall’s self titled debut album and ‘Ballads’ EP reached #1 on the iTunes classical and jazz charts respectively.

As an educator, Niall has given masterclasses and tutored for the National Youth Orchestra of Ireland, Royal Irish Academy of Music and Music Generation Ireland. As an examiner, Niall has enjoyed hearing both grade exams and third level performances for various examination bodies.

Niall started performing at the age of eight in the Artane Boys Band, Dublin. With “the best foundation imaginable” in place, Niall started lessons on scholarship at the DIT Conservatory. He then studied at the Royal Irish Academy of Music for a further four years. Niall was awarded a scholarship for post graduate studies at the Royal College of Music, London.

Niall O’Sullivan is represented by Polaris Artist Management, Vienna.

Niall O’Sullivan is an international performing artist exclusively for Schilke trumpets, Chicago.

Niall O’Sullivan Links

Podcast Credits

Jerry Hey & Larry Hall Extended Bill Adam Trumpet Routine

Jerry Hey with John Snell

We have received many requests for the version of the Bill Adam trumpet routine that Larry Hall and Jerry Hey practiced together at Indiana University under their trumpet professor Mr. William “Bill” Adam. Larry and Jerry were generous to spend several hours researching and compiling the exercises they practiced along with some of the modifications. They provided some examples of how they would modify individual exercises to keep them fresh and expand how they trained their ears. Be creative and come up with your own!

Larry Hall with John Snell

This routine is not intended as a one-size-fits-all approach to the trumpet. It should be used as an informative look into their daily routine and how they expanded the exercises.

The Trumpet Routine

Mr. Adam ascribed to the “rest as long as you play” concept. Practicing with a friend helped insure that and also gets one used to playing in front of others. Our daily practice was broken up into sessions. None of this was rigidly adhered to. The 1st session was pretty much the same everyday, but sessions 2 and 3 were pick and choose to keep things fresh, interesting and challenge ourselves. Our practice session times could total 4 to 5 hours.  Mr. Adam always said 3 hours was a minimum comprised of an hour for:  basic maintenance, technique, and solo and repertoire literature.

1st Session

Clarke #1- Start on F# in the staff, F, G and expand outward. The rest of the 1st session of the day is all Schlossberg:
  • #6 – Start soft, Crescendo to next bar and Decrescendo
  • #23, 24,25, 27
  • #36B – Start with variation A, then variations 2, 3, 4 and 5 going up a half step with each variation.
  • # 95 – Sustain top notes resting or trading off with you partner at each breath mark.
  • #97* – The goal was to play in one breath. Keep air relaxed. This can be extended out to F#.
  • #99 & #100 – Play #99 as is resting at the end of each key signature, Start #100 on low F# and extend exercise to F# an octave up or keep going as high as you can.
  • #102a* – Each day pick a different variation of scales, (major, minor, harmonic minor). Also pick a variation of intervals, (3rds, 4ths, 5ths).  Extend outward to F#.
  • #120-123, #128
*When extending #97 and #102a to F# both low and high, break up doing every one every day. Day 1, start #97 on C, go to B, C#, A, Eb, G, F. Start exercise #102a on C, go to Bb, D, Ab, E, F#, F#.  On day 2 swap these patterns for each exercise. BREAK

2nd Session

Next session start with Clarke 2nd , 3rd or 4th Study. Always start on E below the staff and expand outward to low F# and C in the staff.  When playing the 2nd Study, change modes on each repetition, Major, Minor, Diminished scales. Arban’s P. 14 #16-27 – Play each exercise twice, 1st time all slurred, REST, 2nd time all single tongued. Play a few articulated 8VA. Arban’s #46-50 – Start with #47 and #48, transpose each in all keys. Then play #49, #50, then #46. Schlossberg #45 Arban’s double tonguing P. 175, #77-94 – Play #88-90 in all keys Some Arban’s triple tonguing Schlossberg Chord Studies     #70 single tongue, #71 slur 1st 2 notes tongue next 2, #73 All Slurred Arban’s p.297 Characteristic Study #13 The goal is to play in one breath. “Never heard anyone make it!” –  J Other Arban’s :
  • p.39 #3,4,5. p.40, p. 41
  • p.138 #35, 38, p.140 #41-47
  • p.142-p.151,  p.56
  • p.125 #1, p.135 #23
  • p.28-36  Single tongue 8th notes, double tongue 16ths.
Obviously not every exercise was played each day but this material would get covered during the week. Saint-Jacome’s 157 Always single tongue, start with 1st exercise, 1st Variant triplets, #4 sixteenths, #11 sextuplets. The repeated G is in the staff, try playing all these variations with the repeated G above the staff.  Once Mastered (J or L) try p. 161 and variations.  CORNERS!!!! OK, I THINK WE’VE HAD ENOUGH FOR A WHILE BREAK

3rd Session

Start 3rd session with another Clarke Arban’s Chromatic Triplets p.76, #1-5, p. 80, 10-23 Saint-Jacome’s Bugle Call  p.19 #26, p.24, p.49 #3, p.68 & p. 81 Selection of Charlier or Bitsch etudes, Art of the Trumpet (Originally titled “Common Sense” by William Thiecke) We usually finished off each day with Maggio Long Range Chromatic. 1st a flexibility pattern to start out loose. Slur from low C, G to C in the staff, lip trill between G and C then back to low C.  Rest. Go down by ½ steps to low F#.  Rest. Play chromatically from low F# up to F# in the staff back to low F#, breath, F# in the staff chromatically down to low F# back up to F#.  Breath. Start on low G and do the same pattern and continue to go up by ½ steps. Continue upward to as high as you can go.  It does get better but never easier. You Do Not trade off or rest till you’re done.  And you WILL be done at this point.

John Hutchinson Trumpet Interview – The Other Side of the Bell #67

John Hutchinson – Trumpet Interview

John Hutchinson Podcast Logo

Welcome to the show notes for Episode #67 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter John Hutchinson.

Listen to or download the episode below:

About John Hutchinson

John Hutchinson is a trumpeter, arranger, composer, teacher and blogger. Graduating from the Royal College of Music, London in 1999, he began his freelance career working with many of the UK’s major orchestras as well as recording and performing with major international pop acts such as Joss Stone and Bjork.

These days, John concentrates mainly on his media composition and production, brass and jazz arranging, and his trumpet teaching at some of the UK’s top schools. Having worked alongside numerous trumpet manufacturers over the years he also now engages with over 50,000 trumpeters around the world each month through his specialist trumpet website, MouthpieceOnline.com.

 

John Hutchinson Links

Podcast Credits

Hub van Laar Trumpet Interview – The Other Side of the Bell #66

Hub van Laar- Trumpet Interview

Welcome to the show notes for Episode #66 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpet and flugelhorn maker Hub van Laar.

Listen to or download the episode below:

About Hub van Laar

Hub van Laar founded his company in 1990 in Margraten, near Maastricht, on the border triangle to the Netherlands, Germany and Belgium. Beginning as a workshop for brass wind instruments, the company expanded rapidly under the direction of Hub van Laar and Heidrun Jöchner to become an enterprise of world repute.

Due to the increasing demand for their instruments Van Laar launched a new branch in Markneukirchen in 2010, in the heart of the so-called “Music Corner” (“Musikwinkel”) in Vogtland, Germany, which has a rich historical tradition in the making of musical instruments. In autumn 2016 Van Laar Trumpets GmbH relocated from Markneukirchen to larger premises in Klingenthal

Van Laar takes great pride in the fact that all the components necessary for their instruments are made completely in their own factories in the Netherlands and Germany.

Van Laar’s team of experts build brass wind instruments in a traditional way, using the most modern technologies. Hub van Laar is bound by tradition and is committed to achieving the highest standards, and every instrument undergoes rigorous testing before it leaves the workshop. As a result, musicians from the most renowned orchestras, big bands and ensembles all over the world use Van Laar instruments.

A new trumpet or flugelhorn is certainly not something one buys every day, and musicians develop a special relationship with their instrument. This is why Hub van Laar attaches great importance to individual and intensive contact with his customers. Over the years Van Laar has built up a wide range of trumpets and flugelhorns with all the technical requirements needed for all kinds of musicians and for every kind of music. These instruments were created in close cooperation with a number of musicians and have been continually improved, ensuring that the majority of customers will find “their” perfect trumpet or flugelhorn among them.

Van Laar will adapt an instrument to a customer’s individual requirements. In addition, Hub van Laar welcomes feedback and suggestions from his valued customers, since this provides inspiration for the further development of Van Laar instruments. Thanks to this, Hub van Laar Trumpets & Flugelhorns have become renowned all over the globe instruments are treasured by international artists and beginners alike.

Hub van Laar Links

Podcast Credits

Robert Karon Trumpet Interview – The Other Side of the Bell #65

Robert Karon – Trumpet Interview

Welcome to the show notes for Episode #65 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Robert Karon.

Listen to or download the episode below:

About Robert Karon

A native of New Orleans, Robert Karon received his Bachelor of Arts cum laude in Music from UCLA and Master of Music degree from the Juilliard School in New York City. He was the recipient of the Longy Award for achievement in Solfege. His teachers include Robert DiVall, Irving Bush, William Vacchiano, and Arnold Jacobs. Proficient in three languages, Karon toured South America, the Far East, and Europe during his two years with the Mexico City Philharmonic and played first trumpet with the Maracaibo Symphony Orchestra in Venezuela.

In contrast, Karon also toured nationally with Engelbert Humperdinck and Emerson, Lake, and Palmer. Upon his return to the U.S., Karon has performed as principal trumpet of the Sacramento Symphony as well as a member of the Hollywood Bowl Orchestra and other Los Angeles based freelance orchestras. His recording credits for film and television include soundtracks for Jag, Star Trek, and Hello Dolly. Bob Karon has taught at Occidental College, Pomona College, the R. D. Colburn School, and UCLA.

Bob Karon’s latest endeavor is his educational website trumpetbob.com, which features lessons, articles, and resources for trumpet players. He also offers private lessons and consultations in person and through FaceTime and Skype.

Robert Karon Links

Podcast Credits

Wim Van Hasselt Trumpet Interview – The Other Side of the Bell #64

Wim Van Hasselt – Trumpet Interview

Welcome to the show notes for Episode #64 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Wim Van Hasselt.

Listen to or download the episode below:

About Wim Van Hasselt

Wim Van Hasselt Links

Podcast Credits

Peter Bond Trumpet Interview – The Other Side of the Bell #63

Peter Bond – Trumpet Interview

Welcome to the show notes for Episode #63 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Peter Bond.

Listen to or download the episode below:

About Peter Bond

Peter Bond has been a member of the Metropolitan Opera Orchestra since 1992. Raised in Rockford Illinois, his path to the “Met” was atypical; while his future orchestra colleagues were attending professional training programs like Interlochen and Tanglewood, Mr. Bond spent summers on the road with a drum and bugle corps and the rest of his time focused on big band jazz. This pattern continued through college at Western Illinois University, where he received a degree in Music Education. It was only in graduate school at Georgia State University that he turned his attention to orchestral trumpet, studying with John Head, Principal Trumpet of the Atlanta Symphony Orchestra. He has also studied on an “outpatient” basis with Vincent Cichowicz, Adolph Herseth, Arnold Jacobs, Robert Nagle, and James Pandolfi.

After graduate school (MM 1981), Mr. Bond remained in Atlanta, enjoying a busy and varied career as a freelance musician. In 1987 his first orchestra audition resulted in being named Principal Trumpet of the New Mexico Symphony Orchestra in Albuquerque. Five years later, he auditioned for the Met and was offered his current position.

Mr. Bond enjoys getting out of the opera pit now and again for solo appearances, and is increasingly in demand as a trumpet teacher and clinician. He lives in Leonia, NJ with his wife of 34 years, singer Carla Reilly-Bond.

Peter Bond Links

Podcast Credits

Tiger Okoshi Trumpet Interview – The Other Side of the Bell #62

Tiger Okoshi – Trumpet Interview

Welcome to the show notes for Episode #62 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Tiger Okoshi.

Listen to or download the episode below:

About Tiger Okoshi

Toru “Tiger” Okoshi was born in the Year of the Tiger on March 21 1950, just outside of Osaka (Ashiya city, Hyogo) As a child he was, in fact, devoted to painting as he loves today. At 13, he had an enlightening experience to see Louis Armstrong Perform live in Osaka, Japan, only 6 months after he begun to play the trumpet. ”He was painting the air with his trumpet” recalls Okoshi. Today, Okoshi often describes the relationship with his horn: “When I play, I want to paint the air with my colorful tone. Choices between long or short strokes, quick or slow, high in the canvas or low, brighter color or darker, with a fat brush or a pen. Paint the air one note at a time.”

In 1972, after graduating from Kwansei Gakuin University with a bachelor of commerce, he married Akemi Usui. They flew to the US to honeymoon, speaking no English. “We took a Greyhound bus across country from Los Angeles, but when we arrived in Boston, somehow we knew that we couldn’t go back.” They decided to sell their return tickets and paid the tuition at Berklee College of Music. Tiger graduated in 1975 receiving the highest honor of summa cum laude. During his 3 years at Berklee, Tiger performed at Carnegie Hall in New York in 1974 with British composer Mike Gibbs sharing the concert with legendary Bill Evans trio. After graduation, he went on the tour with Buddy Rich orchestra.

In 1976, he formed “Tiger’s Baku” the popular Boston fusion group that received many awards: Boston Magazine’s Best Jazz Band (1988), Boston Music Awards’ Best Jazz Band and the Best Horn Player (1988, 1989 and 1990), and Boston Phoenix/WFNX Best Music Poll in 1992. Grammy Award winner guitarist Bill Frisell was an original member in Tiger’s Baku. Baku is a mythical creature that eats people’s nightmares.

Tiger in Italy producing a CD of a former Berklee student.

In 1977, Tiger received Outstanding Composer & Arranger awards from the Collegiate Jazz Festival at University of Nortre Dame, IN. This award helped him acquire his US Permanent Residence status. Word of his abilities spread in no time. He joined in Gary Burton quartet in ’78 and recorded “Times Square” (ECM, featuring Roy Haynes and Steve Swallow) and toured the world. Keeping Boston as his base, Tiger has been a Berklee faculty member since 1997.

Performance has performed with Tony Bennett, Dave Grusin’s LA-NY Dream band (Grammy nominee, 1982), Pat Metheny, Gunther Schuller, Lyle Mays, Bob Mintzer, George Russell’s Living Time Orchestra, Dave Liebman, Mike Stern & Dave Weckle Band, Miloslav Vitous, Bela Fleck, Jerry Bergonzi, Dave Holland, Jack Dejonnet, Joe Lovano, Delfeayo Marsalis’s Octet with Branford Marsalis. Pop and R&B performances with Michel Franks, Teddy Pendergrass, Aimee Mann’s ‘Til Tuesday, The O’Jays, The Four Tops, The Stylistics, Little Anthony and The Imperials, Frankie Avalon and Bobby Lydel, legendary rock singer Brad Delp of “Boston”.

As producer and instructor, Tiger produced the Japanese female jazz singer Mizuho’s CD in 2008. Tiger has operated since 2006 the Hokkaido Groove Camp in Sapporo, Hokkaido, Japan to teach jazz to young musicians in Japan. He also operates Domaine Forget Jazz Camp in St. Irinee, Quebec, Canada.

Tiger, who loves sports, was invited to perform “The Star Spangled Banner” at the opening game of the 2007 season between Boston Red Sox and New York Yankees at Fenway Park, as well as the playoff games in 2007 and 2008. Tiger’s trumpet was surrounded by 20 trumpets, 10 trombones and 7 Japanese Taiko drummers playing his original arrangement. In 1997, Tiger recorded a CD entitled “Hustle Tigers” for Japanese major league baseball team Hanshin Tigers.

Tiger Okoshi Links

Podcast Credits

Markus Stockhausen Trumpet Interview – The Other Side of the Bell #61

Markus Stockhausen – Trumpet Interview

Welcome to the show notes for Episode #61 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Markus Stockhausen.

Listen to or download the episode below:

About Markus Stockhausen

Markus Stockhausen Playing Flugelhorn

Photo: Silvia Kleemann

Markus Stockhausen was born in 1957 and began playing the piano at the age of six. In 1975 he began to study piano and trumpet at the music school in Cologne. One year before his final exams he was the 1981 winner of the Deutscher Musikwettbewerb prize. Since then he has regularly performed as a soloist, including many premieres such as the trumpet concerto “Jet Stream” composed for him by Peter Eötvös in 2002 and performed for the first time with the BBC Symphony Orchestra in London. He is also a regular guest at renowned international music festivals

Markus Stockhausen is one of the most versatile musicians of our time. He is as much at home in jazz as in contemporary and classical music. For about 25 years he collaborated closely with his father, the composer Karlheinz Stockhausen, who composed many beautiful works for him. With his brother Simon he realized several internationally acclaimed musical projects.

As soloist, improviser and composer Markus Stockhausen is in international demand. He leads or collaborates in various ensembles with musicians like Arild Andersen, Patrice Héral, Mark Nauseef, Jörg Brinkmann, Angelo Comisso, Christian Thomé, Ferenc Snétberger, Florian Weber, and plays intuitive music in the duo Moving Sounds with his wife the clarinettist Tara Bouman. His group Eternal Voyage features musicians from India, the Netherlands and Lebanon. From the year 2000 until 2010 he directed a concert series called Klangvisionen with intuitive music in the church of St. Maternus in Cologne. Rolf Zavelberg was responsible for the artistic light design.

Markus Stockhausen Playing Trumpet

Photo: Elfi Kleiß

As a composer he has received commissions from, among others, the RIAS Chamber Choir, The London Sinfonietta, the Orchestra d‘Archi Italiana, the Winterthur Chamber Orchestra, the Cheltenham Music Festival and the 12 Cellists from the Berlin Philharmonic. In 2007 he wrote “Tanzendes Licht“ for trumpet, big band and string orchestra for the Swiss Jazz Orchestra and the Camerata Bern, as well as “Symbiosis“, a double concerto for clarinet and trumpet with string orchestra, comissioned by the Franz Liszt Chamber Orchestra. In 2009 he composed “Oliver’s Adventures“ for children’s orchestra and choir, in 2011 “Yin“ and “Yang“ for the Metropole Orchestra, premiered at the Muziekgebouw Amsterdam for the Holland Festival. Also in 2011 he wrote “GeZEITen“ for about 600 musicians, comissioned by the Niedersächsische Musiktage in Cuxhaven. In 2012: “Ein Glasperlenspiel“ for solo trumpet and accordeon orchestra, 2013: “Das Erwachende Herz“ for solo trumpet, clarinet and voice and symphony orchestra, commissioned and performed by the Hamburger Symphoniker.

Markus Stockhausen also teaches in various situations, including “Intuitive Music and More” and “Singing and Silence”. To date he has released or participated in more than 70 CDs. In 2005 he was the winner of the WDR jazz prize.

Markus Stockhausen Links

Podcast Credits

Freddie Jones Trumpet Interview – The Other Side of the Bell #60

Freddie Jones – Trumpet Interview

Welcome to the show notes for Episode #60 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Freddie Jones.

Listen to or download the episode below:

About Freddie Jones

Freddie Jones is a popular jazz trumpet player and composer in the Dallas/Fort Worth Metroplex. With an amazing musical gift, Freddie Jones kicks up the energy of a room a notch or two and thrills a jazz-lover’s soul! Audiences are in awe of the sound this Freddie Jones can coax from his horns. Freddie has taken his trumpet and his group on the road throughout the southwest, performing in hot spots from Austin’s’ The Elephant Room to Little Rock’s Riverfront Auditorium to numerous festivals in the Dallas/ Fort Worth Metroplex, Oklahoma City, and everywhere in between. He has also performed in Paris, The Hague and Rotterdam. He has several cds to his credit. His band, the Freddie Jones Jazz Group, never fails to pull in the audience and deliver an exciting sound.

Trumpets 4 Kids

Once a student receives a trumpet, they sign a contract agreeing to practice one hour a day, maintain the trumpet, as well as teach, help and perform for other kids. They are also encouraged to give the trumpet to the school if they decide to quit playing.

Students are required to practice and perform for other kids so that they may inspire each other and create a platform for dialogue about their goals and achievements. Having kids perform music, such as classical or jazz, at a skill level that shows great musicianship at an early age, can allow children to create and realize their own dreams and activities. Having quartets perform for kids who are homeless, ill, or in other at-risk situations brings a new dimension by which each child may begin to see beyond his or her present situation. Whether the child is the musician or listener, the idea is to create opportunities for each group to see other situations or to be inspired by their peer group.

 

Music is the universal language of our world. It is a part of life in every country and culture. It is also a powerful tool to help children learn and shape their lives. Music fosters the development of attention and listening skills; it assists in emotional development; and music involvement is known to enhance self-esteem and confidence. Music is also linked to improved math, memory and reading skills.

Freddie Jones Links

Podcast Credits

Phil Smith Trumpet Interview – The Other Side of the Bell #59

Phil Smith – Trumpet Interview

Welcome to the show notes for Episode #59 of The Other Side of the Bell – A Trumpet Podcast. This episode features trumpeter Philip Smith.

Listen to or download the episode below:

About Philip Smith

Philip Smith joined the New York Philharmonic as Co-Principal Trumpet in October 1978, and assumed the position of Principal Trumpet in June 1988. His father, Derek Smith, a renowned English cornet soloist, provided his early training. He is a graduate of The Juilliard School, having studied with Edward Treutel and William Vacchiano, former Principal Trumpet of the New York Philharmonic. In January 1975, while still at Juilliard, Sir Georg Solti appointed Mr. Smith to the Chicago Symphony Orchestra.

Philip Smith joined the Hugh Hodgson School of Music at the University of Georgia as the William F. and Pamela P. Prokasy Professor in the Arts in August 2014. In addition to teaching his trumpet studio, he is the Bandmaster of the UGA British Brass Band, member of the faculty Georgia Brass Quintet, and coach of the Bulldog Brass Society. This new position follows his retirement from the New York Philharmonic after 36 years of service as Principal Trumpet.

Mr. Smith has appeared regularly as soloist, recitalist, chamber orchestra performer, and clinician. He has been featured as a soloist with the Philharmonic performing with conductors Zubin Mehta, Kurt Masur, Erich Leinsdorf, Leonard Bernstein, Neeme Jarvi, Lorin Maazel, Alan Gilbert and Bramwell Tovey. Repertoire highlights have included the world premiere of Joseph Turrin’s Trumpet Concerto with the New York Philharmonic (1989) and its subsequent European premiere with the Leipzig Gewandhaus Orchestra (1994). Additional New York Philharmonic performances have included the U.S. premiere of Jacques Hetu’s Trumpet Concerto (1992), the world premiere of Lowell Liebermann’s Concerto (2000), and the world premiere of Siegfried Matthus’s Double Concerto for Trumpet, Trombone, and Orchestra (2003). He has also been a guest soloist with the Mostly Mozart Festival Orchestra, and the symphonies of Edmonton, Newfoundland, South Dakota, Sioux City, Cedar Rapids (Orchestra Iowa), Columbus (Indiana), Pensacola (Florida), Hartford (Connecticut), and Beaumont (Texas). He has appeared as guest Principal Trumpet with the Orchestre de Paris, conducted by Daniel Barenboim, performing Mahler’s Symphony #5.

Mr. Smith has also appeared with many symphonic wind ensembles, including the US “President’s Own” Marine Band, the West Point Academy Band, the US Army TRADOC Band, the US Coast Guard Band, La Philharmonie des Vents des Quebec and many major university wind ensembles. He appeared at The College Band Directors National Association Convention in Austin, Texas, for the world premiere of Turrin’s Chronicles (1999) with the University of New Mexico Wind Ensemble. A subsequent recording of Chronicles was produced which included the world premiere of Stephen Gryc’s Evensong (2000) and Turrin’s Fandango (2000). Alfred Cohen’s “curls of motion” was premiered in 2008 with the Columbus State University Wind Ensemble. Aaron Kernis’ a Voice, a Messenger was premiered in 2013 with the University of Illinois Wind Ensemble.

An avid brass band enthusiast, Mr. Smith has been guest soloist with the United States Army Brass Band, and the contesting bands of Goteborg Brass (Sweden), Black Dyke Mills and Rigid Containers Band (Britain), Hannaford Street Silver Band and Intrada Brass (Canada), as well as Columbus Brass Band, Triangle Brass Band, and Imperial Brass (USA). He has soloed with all of the Salvation Army Staff Bands worldwide including the International Staff Band, New York, Chicago, Amsterdam, Melbourne, German and Japan. He appeared as featured soloist at the 1996 British Open Brass Band Championships in Manchester, England.

Mr. Smith has been on the faculty of The Juilliard School and Manhattan School of Music, and has appeared as recitalist and clinician at the Caramoor International Music Festival, Grand Teton Music Festival, Swiss Brass Week, Breman (Germany) Trumpet Days, Oslo (Norway) Trumpet Week, Harmony Ridge (Vermont) Festival, Scotia Festival of Music and numerous International Trumpet Guild conferences.

In 2005, Mr. Smith was made an Honorary Member of the Royal Academy of Music (Hon RAM). In 2006, Mr. Smith was given the International Trumpet Guild Honorary Award.As a member of the Principal Brass Quintet, Mr. Smith has toured Japan four times, as well as Brazil and Germany. He has also performed and recorded with the Canadian Brass, Empire Brass, Chamber Music Society of Lincoln Center, Bargemusic, and New York Virtuosi Chamber Symphony. His solo recordings include Contest Solos produced by the International Trumpet Guild; Fandango, featuring New York Philharmonic Principal Trombonist Joseph Alessi and the University of New Mexico Wind Symphony (Summit); My Song of Songs with the New York Staff Band of The Salvation Army (Triumphonic); Copland’s Quiet City (Deutsche Grammophone); New York Legends (CALA); Orchestral Excerpts for Trumpet (Summit); Ellen Taaffe Zwilich’s Concerto for Trumpet and Five Instruments (New World); Bach’s Brandenburg Concerto No. 2 (Koch); Walton’s Facade (Arabesque); and The Trump Shall Resound and Repeat the Sounding Joy(Heritage).

Mr. Smith has collaborated on a series of projects with Curnow Music Press (Hal Leonard), publishing music arrangements with demonstration CDs. These include Great Hymns, More Great Hymns, and Great Christmas Carols for Trumpet and Piano. Two trumpet study books with demo CD have also been produced, Concert Studies and Advanced Concert Studies. In a similar project published by Michael Davis and Hip-Bone Music, Mr. Smith has recorded the 20 minute WARM UP ROUTINE and a soon to be released etude book. Also in this series is Total Trumpet, featuring a variety of trumpet studies demonstrated by Randy Brecker, Jim Hynes and Philip Smith.

Mr. Smith’s film soundtrack credits include: Cobb (1994) music by Elliot Goldenthal; The Hudsucker Proxy (1994) music by Carter Burwell; A Time To Kill (1996) music by Elliot Goldenthal; Punchline (1998) music by Gary Anderson and Charles Gross; Sphere (1998) music by Elliot Goldenthal; The Rookie (2002) music by Carter Burwell; The Ladykillers(2004) music by Carter Burwell; Manchurian Candidate (2004) music by Rachel Portman; Hitch (2005) music by George Fenton and Alan Elliot. His commercial soundtrack credits include: “NBC Sunday Night Football Theme 2006” music by John Williams; “NBC Super Bowl XVIII Theme 2008” music by John Williams and Joel Beckerman (currently heard); “NBC and Golf Channel Tournament Theme 2013” music by Joel Beckerman.

Philip Smith Links

Podcast Credits